In this release:
* lv2rack does no longer require PHAT (it was not really using it even
in zynjacku-3 release)
* Support for out of process plugin UIs (the upcomming nekobee release
should use it)
* Don't crash when trying to load non-existing plugin (specified by
supplying plugin URI at commandline)
* Don't crash with some plugins (NULL extension_data)
zynjacku is JACK based, GTK (2.x) host for LV2 synths. It has one JACK
MIDI input port (routed to all hosted synths) and one (two for stereo
synths) JACK audio output port per plugin. Such design provides
multi-timbral sound by running several synth plugins.
zynjacku is a nunchaku weapon for JACK audio synthesis. You have solid
parts for synthesis itself and you have flexible part that allows
synthesis to suit your needs.
lv2rack is a host for LV2 effect plugins.
You need slv2 library to compile zynjacku tarball.
Project homepage with screenshots:
http://home.gna.org/zynjacku/
Get tarball from here:
https://gna.org/files/?group=zynjacku
--
Nedko Arnaudov <GnuPG KeyID: DE1716B0>
Maybe an odd question, but in about 4 weeks i'll have the chance to try out
a plasma tv as a monitor.
And i'm now firmly entrenched in my single monitor/multiple desktop daily
usage, so i'm keen to use 1 big monitor and switch. (Because i can. :) )
Have any of you in our linux audio world such a setup?
If you use a plasma tv, what sort of graphics card are you using, and how
big a screen can i consider, for good resolution on a day in day out basis?
Alex.
Hello folks!
I've just uploaded a new tune. A bit 60s. It's called "Mr. Marple". Accept
the organ everything is LinuxSampler and fluidsynth.
http://juliencoder.de/mr_marple.ogg
Opinions anyone? :-) - No really, it's as always welcome!
Kindest regards
Julien
--------
Music was my first love and it will be my last (John Miles)
======== FIND MY WEB-PROJECT AT: ========
http://ltsb.sourceforge.net
the Linux TextBased Studio guide
======= AND MY PERSONAL PAGES AT: =======
http://www.juliencoder.de
Hi,
I'm making a random "beat" generator based on a directory tree of
samples and a map file. Currently, it shuffles sample order and
creates a list of samples and their corresponding start time (example
list below).
I need a good way to mix all of these seperate samples into one single
audio file based on the time at which each starts at. Any
recommendations or thoughts would be appreciated. File format doesn't
matter, I'll use whatever is easiest.
Thanks,
Erik Nomitch
ex:
at: 0.0 play /home/tux/.projects/elign/808/clap/808Clap-Kult_C2A.wav
at: 2.0 play /home/tux/.projects/elign/808/clap/808Clap-Kult_C2S.wav
at: 4.0 play /home/tux/.projects/elign/808/clap/808Clap-Kult_T1A.wav
at: 6.0 play /home/tux/.projects/elign/808/clap/808Clap-Kult_T1S.wav
at: 8.0 play /home/tux/.projects/elign/808/clap/808Clap-Kult_aOrig.wav
at: 10.0 play /home/tux/.projects/elign/808/clap/808Clap-R8_01.wav
at: 12.0 play /home/tux/.projects/elign/808/clap/808Clap-R8_01_ST.wav
at: 14.0 play /home/tux/.projects/elign/808/clap/808Clap-R8_01_VT1.wav
at: 4.0 play /home/tux/.projects/elign/808/clap/808Clap-Kult_C2A.wav
at: 6.0 play /home/tux/.projects/elign/808/clap/808Clap-Kult_C2S.wav
at: 8.0 play /home/tux/.projects/elign/808/clap/808Clap-Kult_T1A.wav
at: 10.0 play /home/tux/.projects/elign/808/clap/808Clap-Kult_T1S.wav
at: 12.0 play /home/tux/.projects/elign/808/clap/808Clap-Kult_aOrig.wav
at: 14.0 play /home/tux/.projects/elign/808/clap/808Clap-R8_01.wav
at: 16.0 play /home/tux/.projects/elign/808/clap/808Clap-R8_01_ST.wav
at: 18.0 play /home/tux/.projects/elign/808/clap/808Clap-R8_01_VT1.wav
at: 4.0 play /home/tux/.projects/elign/808/clap/808Clap-Kult_C2A.wav
at: 8.0 play /home/tux/.projects/elign/808/clap/808Clap-Kult_C2S.wav
at: 12.0 play /home/tux/.projects/elign/808/clap/808Clap-Kult_T1A.wav
at: 16.0 play /home/tux/.projects/elign/808/clap/808Clap-Kult_T1S.wav
at: 20.0 play /home/tux/.projects/elign/808/clap/808Clap-Kult_aOrig.wav
at: 24.0 play /home/tux/.projects/elign/808/clap/808Clap-R8_01.wav
at: 28.0 play /home/tux/.projects/elign/808/clap/808Clap-R8_01_ST.wav
at: 32.0 play /home/tux/.projects/elign/808/clap/808Clap-R8_01_VT1.wav
etc...
Don't miss your chance to get your company logo on the half page ad that
Linux Journal is sponsoring for us in the April edition.
Yes, that means free advertising for your company, blog, forum, or pet
project in the Linux Journal and at the same time you will be supporting
Linux Audio!!!
All you need to do is reply to this email to let me know you want to
officially support an award category. The deadline is Tuesday Feb 3 so
don't delay.
Visit http://awards.linuxaudio.org for a full list of the categories you
can associate with and the sponsors who are already supporting the Awards.
There are three levels of sponsorship* which range from simple name
association (free of charge) to fully fledged corporate sponsorship.
By participating as an official sponsor you show to the world the value
your company, blog, forum, or pet project places on the continuing
support and development of Linux Audio.
*For more details and sponsorship packages please contact me directly.
--
Patrick Shirkey
Boost Hardware Ltd.
libKontrol-0.0.1 is out
This is a preliminary release. If you have a padKontroll, feel free to
test it. There is a small example provided.
you can find the library and a few more info here
http://guitoo33.free.fr
Guillaume
pete shorthose:
>>> Contrary to the fans included with PSUs, the fans you can
>>> buy separately can be silent, especially when downvolted
>>> to 5V. So to ensure you don't
>>> overheat a fanless PSU, which can happen if it's too hot,
>>> it could be a good idea to mount a fan close to the PSU.
>>
>> That was a bit unclear. If I've understood correctly,
>> fanless PSU's turns off if they run too hot, that's
>> why you might want to add a little bit of air flow
>> through it, especially if you run a hot CPU, etc. and
>> have no case fan.
>
> This may be good advice, particularly if you live somewhere much
> hotter than the UK. However, you needn't assume the cooling efficiency
> is inadequate. Just crank the central heating up to something
> a little higher than the hottest temperatures you experience locally then run
> it under as heavy a load as you can for as long as you need to in order to
> satisfy yourself that it's safe to use sans fan. Regularly cleaning the unit
> should help too. The Silverstone PSUs all seem to have a single temp
> status LED and I'd imagine you'd see quite quickly if it couldn't cope
> with the conditions. You could abort as soon as the warning LED lit.
>
> I recognise that a device need not be truly silent in order to be effectively so,
> and perhaps taking such a risk is unnecessary, but I've bought a fair few
> "silent" or "quiet" fans in my time that were nothing of the sort. I've also had
> lots of problems with fans that seem to have (or develop) defects that cause
> noise so I'd rather just be shot of the whole spinny roundy horror show.
>
Granted, when you put your ear into the case from the outside, you will
probably hear some air-swushing generated by that fan, so it's not
completely silent. However, unless you mount your HD in rubber bands and
further put it in a super-silent highly isolated box to avoid the
remaining high-frequency blipps, a good 120mm fan running at 5V would be
extremely unlikely to be more annoying than the HD. (if you use a HD of
course)
I have tracks in RG whose sound is produced by qsynth, and others
that are played by hydrogen. Is there a way to record what I hear
in RG? I can record separately the qsynth tracks by choosing
Jack:qsynth, and the hydrogen tracks by choosing Jack:Hydrogen-1
as the recording device in audacity, but then I have to
(re)synchronize them. Other choices for recording device are
Jack:rosegarden and Jack:system, but they apparently don't hear
either of the tracks.
Life would (I think) be simpler if audacity appeared as a writable
client in qjackctl. (Should it, by the way?)
Andras
Hi Everyone,
I've released some LADSPA plugins that are loosely based on my VST plugins
I wrote years ago. I haven't produced any documentation yet but most
plugins are fairly self explanatory.
Utility Plugins
* Input Module (Stereo only)
Alter gain, balance, width, phase on a stereo signal
Filter Plugins
* Low Pass (Mono and Stereo version)
* High Pass (Mono and Stereo version)
Gentle high pass and low pass filters
Simulation Plugins
* Tube - (Mono and Stereo version)
Valve warmth/distortion simulation
Dynamics Plugins
* Compressor - (Mono and Stereo version)
Peak/RMS soft-clipping compressor
The 'tight/sloppy' control modifies the envelope sensor - from peak (one
sample) to rms (50ms worth of samples). Having the envelope 'sloppy'
causes the compressor not to see transients at all, which allows for more
severe compression on sounds like vocals & bass.
Reverb Plugins
* ER Reverb - (Mono and Stereo summing In)
Early reflection based reverb. Really more of a room simulator than a
reverb. Use this to add simulated room ambiance to sounds that have none -
particularly useful when combining mic'd & electronic instruments as you
can add room ambiance absent in the electronic signals to help blend in.
Don't expect to get big washing reverbs with large room sizes - Large
room sizes cause the early reflections to be individually discernible and
you end up with a series of echos.
Another use of this plugin is to reinforce stereo placement - the sound
source is positionable and the resultant reflections realistically place
the source at a specific spot. (rather than dragging the sound back to the
center).
I find slightly off square rooms sound best.
The decision to release as LADSPA rather than LV2 is more due to the host
support of LV2 than anything else. Once LV2 comes out of the RC phase of
it's life and adoption by host applications becomes widespread I'll look
at releasing these as LV2 plugins.
You can grab the plugins from here:
http://www.invadarecords.com/Downloads.php?ID=00000263
Any feedback, suggestions, hints and criticism welcome.
regards,
Fraser (fraser(a)arkhostings.com)
Hi all,
sorry for the off-topic post, but since I'm a linux audio user from a
long time
this is the only audio group that I know ;)
My question is: can I connect an Ibanez AW40ECE-NT guitar to a mixer
with
phantom power switched on? The guitar has a fishman pickup and an Ibanez
SST
preamp and I'll connect with the mixer using the XLR output, so the
connection
will be XLR to XLR.
Best regards,
Andrea
P.S.
I'm asking it here because searching through the various guitar and
homerecording forums I found contradictory responses: someone says that
I can
damage my guitar pre or mixer and some other that it safe to connect
with an XLR
cable on both sides ("phantom" power).
My mixer manual says only that I can't connect "unbalanced" equipment
while
phantom power is switched on.