Hello again,
Iam the guy with the Midi-keyboard!! I've heared that some MIDI-keyboards don't
send a note-off event, so they just send another note-on event. I don't know if mine
is such a stupid midi-keyboard, so maybe some guys at lau know it:
Evolution MK 149
greez, Sacha Retzki
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Ok guys so here's one (told ya it wouldn't be long before I was yakkin again -
I tried to send this earlier but it might have gone bouncy due to html in
message) - this is for all you MIDI and Ardour experts :)
How about syncing Ardour with MIDI - let's see there's a few different things
I need to do -
1) sync ardour to outside tape source via ADAT sync...I set it to ADAT in
options window, and expect it to wait and play when I play tape, but no cigar
2) sync ardour to outside source via MTC sync - same deal - although if I
play, and then hit stop, the transport marker sort of sits there waitiing and
jiggling - does this mean something?
3) sync Ardour to sequencer inside computer - say rosegarden - via MTC I guess
- whatever works...
anxiously awaiting replies :) thanks, have fun and yay! :)
--
--------------
Aaron Trumm
NQuit
www.nquit.com
--------------
Good Morning (?, European :) ),
Well, do you know sth about MIDI-keyboards uses other ... defaults ( than MIDI or others ),
so that Linux/alsa can't handle them correctly ??
I have a Evolution MK-149 .... In an alsa-tutorial Dr. Nagorni sais that some Keyboards
seem to use other NOTE-OFF evens, e.g. send just anther NOTE-ON event ... Is my keyboard
such a keyboard ??
greez, Sascha Retzki
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feel free to shoot me ;)
MTC sync WAS awesome - then it stopped being awesome, don't know why...ardour
terminal window saying
received new MTC status
MTC stopped ...
received new MTC status
MTC stopped ...
it seems like other people have probably tried to deal with this and had this
happen is why I mention...
--
--------------
Aaron Trumm
NQuit
www.nquit.com
--------------
whoa I'm fast ;)
syncing ardour to outside MTC seems to be solved (repatched midi patch bay,
boom it seems to slave like a - well, like a slave ;) )
--
--------------
Aaron Trumm
NQuit
www.nquit.com
--------------
Hi,
dealing with linux GUI audio applications
I have found that the following
feature would be usefull:
I want to stick or glue some windows of
*different* applications together so that
they be organized in "solid body"
i.e. so that I could minimize/restore,
move them together.
(you can find an example of similar behavior
in how xmms organizes its subwindows)
I know that some window managers offer
"border gravity" and some others offer
virtual desktops,
but sometimes it's just not enough.
As fas as I can tell the linux audio
goes the unix way in the sence that there are
many small interacting programs each doing
its own thing. So one needs to have *many*
small GUI apps open at the same time.
And the feature Im talking about would
be realy usefull.
So my question is:
Which window manager support such "sticky"
feature?
horsh
-------- directBOX Reply ---------------
From: fbar(a)footils.org
To : linux-audio-user(a)music.columbia.edu
Date: 04.10.2003 17:16:43
Hallo,
hexe_2003(a)directbox.com hat gesagt: // hexe_2003(a)directbox.com wrote:
> Well, I thought exactly the same. Maybe I'll try another way ... Do you know
> possibilities to connect a MIDI-keyboard to applications via the OSS-layer ?
For routing OSS or more specific rawmidi devices you need to use
aconnect. and a snd-virmidi virtual midi card.
> Or can I make something wrong with alsa, too ?
> I used 'aconnect 64 65' , where 64 is my External MIDI port and 65 is
> the internal FM synthesizer... .
Basically this is correct. You didn't give full portnames, though.
First you need to find out the correct input ports with "aconnect -i"
$ aconnect -i
client 0: 'System' [type=kernel]
0 'Timer '
1 'Announce '
client 64: 'Rawmidi 0 - M Audio Audiophile 24/96 MPU-401' [type=kernel]
0 'M Audio Audiophile 24/96 MPU-401'
....
and then the output ports with "aconnect -o". Your FM synth should
show up here. On my box it looks like this:
$ aconnect -o
client 64: 'Rawmidi 0 - M Audio Audiophile 24/96 MPU-401' [type=kernel]
0 'M Audio Audiophile 24/96 MPU-401'
....
client 73: 'Emu10k1 WaveTable' [type=kernel]
0 'Emu10k1 Port 0 '
1 'Emu10k1 Port 1 '
2 'Emu10k1 Port 2 '
3 'Emu10k1 Port 3 '
....
Now I can route input coming from 64:0 to output 73:0 to use a
keyboard with the SBLive hardware synth with "aconnect 64:0 73:0".
If you use an ALSA sequencer enabled software like Muse or RG4 you
shouldn't need to fuss with aconnect, BTW. Just configure it inside
Muse or RG4.
ciao
--
Frank Barknecht _ ______footils.org__
---------
Well, Muse doesn't work because my jack server seems to be the wrong
version (libjack), and I did not recompile it yet ( I use Debian unstable );
Could you give me a link to the mentioned "RG4" ( never heard of it
before ;) )
Retzki
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WAIT ! RoseGarden4 ..... my mistake
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Hi folks,
I've been trying for months now to get arecord to work with the built-in
microphone and/or mic jack of my laptop but it just won't work. Since
the alsa developers seem totally uninterested in fixing or even
understanding this problem (yes, I've posted on alsa-devel many many
times) and the built-in A/D on the laptop is unlikely to be any good
anyhow I've decided to investigate an external A/D system. It's for a
laptop so it would have to be either PC card, USB, or firewire, not
PCI. Compatability and reliability are a big deal to me -- I'm fed up
with sending mail to alsa-devel, which seems to route to /dev/null as
far as I can tell. Can anybody recommend a solution that's really
simple to set up and reliable to use under linux and doesn't cost an
arm and a leg (e.g. less than $400)? I'm not too picky about number of
ins and outs or fancy features, more picky about quality,
compatability, ease-of-use, and reliability.
Thanks,
-n8
--
>>>-- Nathaniel Gray -- Caltech Computer Science ------>
>>>-- Mojave Project -- http://mojave.cs.caltech.edu -->
GuyCLO~ wrote:
>I agree. I found that larger latencies (100 < latency < 200) are usable for
>having fun. I mean I have used softsynths on a computer without tuning
>latency and without beeing root.
Hmm. How are you measuring latency? I'm not sure how to do it (sufficiently
accurately). I'm running SuSE 8.2, which some have suggested includes the
low-latency patch, but I don't think so. I've been too busy (lazy?) to check
or implement. I find even when playing some .ogg file to jam along with, that
hiccups are "disturbing" or distracting. Maybe I've got problems (as a
musician wannabe) with my timing? I've got my .ogg files on a server, but I
believe xmms pre-buffers (I recall setting it to 1/2 second at one point?)
its compressed audio stream, so I think I'm only hearing jitter from variable
interrupt response (and temporarily blocked interrupts?)?
Your other comment (in another post) about "real life lost packets" (UDP
comparison) is interesting. You would have to transmit a time code in each
packet, so the player can continually "re-sync" the audio. I don't think the
current audio streams do that? I think they "assume" (Benny Hill?) that the
audio stream is continuous, and therefore you can derive the timing?
--
Juhan Leemet
Logicognosis, Inc.