On Tue, February 19, 2013 6:14 am, Paul Davis wrote:
> On Tue, Feb 19, 2013 at 8:57 AM, Stephen Stubbs
> <fartreader(a)gmail.com>wrote:
>
>>
>> {Stephen}: The Ancient Greeks did not have major keys nor minor keys.
>> The 'modes' used by the Medieval European monks were not the same as the
>> original modes of the Ancient Greeks. A great deal was lost in the
>> translation, or perhaps it was due to fragmentary sources.
>>
>>
> http://www.huygens-fokker.org/scala/
>
> specifically: http://www.huygens-fokker.org/docs/scalesdir.txt
>
> You will find that there are over 4000 diferent scales there.
>
> the notion that there are only a handful of scales can be a moderately
> accurate as a description of typical musical practice at a given point in
> time in a given culture.
>
> but on the other hand it also is a wildly inaccurate and simplistic idea
> that robs humanity of a good part of its cultural heritage.
Another point that is easy to forget is that (at least with physical sound
producing devices such as acoustic instruments, but also speaker cabs) the
same tune in a different key sounds different just because of the
resonances. I find often times a singer changes the key of a tune to work
with their voice and the song is no longer the same.
--
Len Ovens
www.OvenWerks.net
If a better response time from the kernel is something that's Good, why
isn't lowlatency kernels a default in Linux distros (well, at least in
Linux Mint and Fedora) If it is So Good, what are the arguments for not
having a lowlatency kernel by default ? Any drawbacks ? I presume the
Audio-oriented Linux distros do have lowlatency kernels by default, do
they ?
Hello everyone!
I have to recode a few mp3s from 16bit 1 channel, 44.1kHz 64kpbs to
something even smaller. I choose: 16bit, 1channel, 32kHz, 48kpbs. The 48kpbps
was automatically chosen by lame, when I gave it -h. So I did this:
mplayer -ao pcm:file=pcm.wav in.mp3
resample --16bit --wav --rate 32000 pcm.wav resampled.wav
lame -h resampled.wav out.mp3
The resampled wav has, what it takes: 16bit, 1 channel and 32kHz. But the
mp3 always ends up having not 16bit but float. At least mplayer tells me and I
tend to believe it, instead of pure mpg321, which tells me something
completely different.
I treid with and without -v (for VBR) and I tried passing a direct bitrate
to lame (using -b). No joy, the mp3 is a little smaller than the original, but
not as small as it should be.
Anyone an idea, why this might happen and how I might change this?
Warm regards
Julien
----------------------------------------
http://juliencoder.de/nama/music.html
On Feb 17, 2013 12:18 PM, "Chris Bannister" <cbannister(a)slingshot.co.nz>
wrote:
>
> [No need to include me in the reply, I'm subscribed to the list]
>
In addition to the fact that many mail clients (like gmail) do not offer
reply to list as an option, some think it is better netiquette to reply-all
anyway:
http://david.woodhou.se/reply-to-list.html
Not certain I agree with this tho...
James
On Mon, Feb 18, 2013 at 04:51:29PM +0000, James Stone wrote:
>
> Sorry for duplicating my other post. Thought it was better keeping it in
> one thread..
I'd rather get two mails than none at all. I filter my mails (on certain
criteria) into different mailboxes, and if I see a CC to a mailing list
on a message, I EXPECT to see that mail in that list mailbox when I get
round to reading it!
The correct way to avoid duplicate mail is NOT to get CC'd in the first
place! sheeze!¹
If I want strange results from the software I'm using, I'd go back to
using Windows!
¹ I know that using gmail can be a PITA if you try and follow tried and
true accepted practices for conversing on mail lists.
--
"If you're not careful, the newspapers will have you hating the people
who are being oppressed, and loving the people who are doing the
oppressing." --- Malcolm X
On Mon, February 18, 2013 8:44 am, jonetsu(a)teksavvy.com wrote:
> There are a few choices in enabling Envy24, and all of them have to do
> with either 'stereo' or 'surround'. So far I haven't tried Ardour on
Ya, PA tries to map anything more than 2 channels to surround.
> this new Linux Mint machine (used Fedora/CCRMA for years, but F18 is not
> nice at all so I switched - one nice thing with Mint is that for time to
> time they issue a long-lasting release eg. Mint 13 is supported until
> 2017 - current is Mint 14, supported for a year, which is what I
> currently use, until another long-lasting release is issued), so, so far
> I haven't tried Ardour/jack on this new machine and I hope those
> 'stereo' and 'surround' things do not interfere with multi-track
> recording.
There is no reason it should. I have a delta66 which looks to the computer
the same as the 1010. PA does not change the settings of the ice1712, it
just feeds audio to it. Once jack is running, it doesn't do anything to
the ice1712 at all, it just feeds the audio to jack (all 10 channels :P ).
Jack decides if any of those channels should be routed anywhere from
there. The module-jackdbus-detect that is loaded when PA is started, has
an option that allows it not just create the ports but not auto connect
them. That might be useful. Jack and ardour are separate and connected as
they (or the users) wishes.
>
> I'm all for having a lean system, even with quad core CPU there's no
> excuse in running stuff that is not needed.
> On my previous Fedora 15 system I had to shut down jack for firefox to
> have sound output. Do I need PA ?
The short answer is no. The long answer is that pa may be a better option
than other ways of doing the same thing. There are a number of people on
this list who hate pulse and don't install it and find other ways of doing
what it can do. There are others who use it.
> Can it be useful say, to have
> jack/Ardour running and at the same time have media from firefox being
> played or even recorded in Ardour ?
Only you can answer that. Lets ask a different question :) lets say you
are using jack to run idjc as a radio station and you wish to interview
someone via skype. skype don't know jack (or perhaps much else) but it
does deal well with pulse, the pa-jack bridge allows this to happen. It is
worthwhile?
Lets say your soundcard is firewire... jack can connect to the FW IF, but
there is no FW ALSA drivers so PA can't, is it better to use the PA-jack
bridge to feed your desktop sound to your amp, or mix the internal sounds
output outside the computer? (or run an audio line from the internal card
to the firewire card)
There are lots of places where having both PA and jack do not make any
sense... like when using ardour for recording.
> Can PA play with jack ? Is that a
> usefulness of having PA around ?
PA can play with jack, there are some uses for that. There are also a lot
of people who will never have to do those uses too.
The question is if you need PA and if you need to be able to feed pa to or
from jack for your workflow.
--
Len Ovens
www.OvenWerks.net
Greetings,
I've been reading a lot of negative (read: vitriolic) commentary about
the world of Linux audio development and applications. I won't bother to
say where, just "the usual places" will have to suffice. Of greater
interest to me is the commentary itself - it seems to boil down to the
following plaints and lamentations (in no particular order) :
Too many distros.
Too many audio-optimized distros.
Not enough native plugins, esp. instruments.
Inconsistent support for VST/VSTi plugins.
Too many unstable/unfinished applications.
Too many "standards" (esp. wrt plugins).
Poor external/internal session management.
Poor support for certain modes of composition (think Ableton Live).
Lack of support for contemporary hardware.
Confusion re: desktops, and GUI toolkits.
Too difficult to set up audio system.
JACK is a pain.
Too much conflict/fragmentation within the development community.
I'm not so interested in comments on the commentary, I have my own, but
say what you will about the list. I figure that most denizens of these
lists already have ready replies and responses to these and other
criticisms, many of which have been voiced here previously. What I'm
more interested in is what *you* think is missing most or just plain
wrong about the situation. Please, try to speak your piece without
flames or dissing other developers and/or their work. Frankly speaking,
I've had enough of that crap, and I'm most thankful these days for such
forum amenities as "mute user" and autodiscard, along with the standard
filters found in mail clients.
<aside>
I'm reminded of John Cage's comments regarding the behavior of the NY
Philharmonic when they destroyed his equipment during the premire of
Atlas Eclipticalis, something to the effect that his concerns had ceased
to be musical and had become social, i.e. that he had to figure a way to
allow people to be free yet behave themselves with respect towards the
common goal (e.g. Cage's music and property). I'm going to guess that he
was still working on that up to his death.
</aside>
So, in your honest and bold opinion as user and/or developer, what do we
lack most and what can we do without that we already have ? Please feel
free to expand your remarks as you like. I'm planning an article on the
topic and will likely use selected comments, subject to approval of course.
Best,
dp
Hello everyone!
Can I rename/alias ALSa sequencer ardware ports? I tried the syntax used for
aliasing pcm devices, but it doesn't appear to work.
I'm looking for this, because I have a couple of USB devices registering as
"USB MIDI cable something" and that is a) long and b) not very helpful.
Thanks for any hint and kind regards
Julien
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http://juliencoder.de/nama/music.html