Hey hey,
yes, my attempt at slaphouse:
https://youtu.be/qxwqgEK1dvc
OGG version:
https://www.dropbox.com/s/6skfzbjk35l3x2h/fire_wheels.ogg
The difficulties, from my point of view and environment, were: getting the
sidechain compressor going and putting in the high- and lowpass filter
automation on the mix. Slaphouse is a house subgenre of a year or three ago in
Brazil, AFAIK. I stumbled across it, thought it was easy enough, but
technically challenging enough, to give it a go and prove that I could do it.
Very special mention goes to: Yoshimi for a bass that slaps and is so wide it
hits you round both ears at the same time. :)
Best wishes,
Jeanette
--
* Website: http://juliencoder.de - for summer is a state of sound
* Youtube: https://www.youtube.com/channel/UCMS4rfGrTwz8W7jhC1Jnv7g
* Audiobombs: https://www.audiobombs.com/users/jeanette_c
* GitHub: https://github.com/jeanette-c
Our imagination
Taking us to places
We have never been before... <3
(Britney Spears)
Hello all,
See below...
What I want to achieve is to take some action when instr 85 ends.
I naively tried using 'gidur' as p3 for instr 85 in the score, but
that doesn't work.
So how do I trigger instr 86 at the right time ?
<CsInstruments>
instr 84
gidur filelen $INPFILE
print gidur
endin
instr 85 ; set its duration from the value found in instrument 84
p3 = gidur
; process input from $INPFILE
endin
instr 86
; Should do something when instr 85 ends.
endin
</CsInstruments>
<CsScore>
i84 0 0.1
i85 + 1 ; p3 is just a dummy
</CsScore>
TIA,
--
FA
Hey hey,
I am looking for tools to analyse bird song. I have many recordings, which can
probably be cleaned up enough to have single calls as good as isolated. On the
other hand there are quite a few sonograms of bird calls, used to identify
species.
What I am looking for is a kind of mathematical analysis tool to get an idea
of frequency and volume, perhaps with an estimate of curves. I suppose that
requires statistical analysis. This is far from my forte, so I wouldn't know
which keywords for the relevant math to enter and in which tool to look. Are
there audio specific programs? Or is a math package like R, octave or maxima
able to handle such data input and the task?
If you are not immediately aware of a relevant tool, but could supply me with
a few keywords and considerations, that would already be quite helpful.
Best wishes,
Jeanette
--
* Website: http://juliencoder.de - for summer is a state of sound
* Youtube: https://www.youtube.com/channel/UCMS4rfGrTwz8W7jhC1Jnv7g
* Audiobombs: https://www.audiobombs.com/users/jeanette_c
* GitHub: https://github.com/jeanette-c
There's a girl in the mirror
I wonder who she is
Sometimes I think I know her
Sometimes I really wish I did <3
(Britney Spears)
I think what Fons says is correct. You can get
close using just a sine wave and two complicated
envelopes for amplitude and frequency. I did a
bunch of bird songs this way back around 1980 --
see bird.scm in the Snd package. These are in
Scheme using CLM, but it should be easy to grab
the envelopes and use them elsewhere. The Snd
package also has animals.scm: much more sophisticated
attempts to synthesize birds, frogs, insects, etc.
There's a brief discussion of that file in
sndscm.html#animalsdoc also in the Snd package.
But in any case, listen to say a hermit thrush
or a red-winged blackbird slowed down and transposed
down -- unbelievably beautiful! I really had a
blast trying to synthesize these songs.
Anyone seen this build error, and if so, what's the problem?
class Ui::qtractorMidiEditorForm’ has no member named ‘viewNoteNamesAction’;
I'm building the current 'master'
--
Will J Godfrey
https://willgodfrey.bandcamp.com/http://yoshimi.github.io
Say you have a poem and I have a tune.
Exchange them and we can both have a poem, a tune, and a song.
In older kernels running:
pa ax |grep irq
will show a process for each irq in the form:
548 ? S 0:00 [irq/16-snd_ens1]
however, with kernel 5.15 most of these are gone except the one for
mei_me. This means that rtirq doesn't work and my device suffers from more
xruns than normal.
Has anyone else experienced this?
--
Len Ovens
www.ovenwerks.net
Hi,
for the last two years I was able to run the excellent and floss
jitsi-meet videoconferencing tool using the jack audio
server by installing the "jack" alsa plugin, and telling jitsi-meet to
use it as default via my ~/.asoundrc holding the following:
pcm.!default{
type plug
slave { pcm "jack" }
hint {description" jack with software conversions added by me" }
}
Since the last two or three jitsi-meet upgrades (which are hard to trace because
they happen forcibly and in the background without user notification)
the software will lose its microphone input a few seconds after the mic is
unmuted, tracable by a vanishing audio connection in jack's gui
qjackctl. When this happens I see jackd posting
subgraph starting at alsa-jack.jackC.468772.0 timed out (subgraph_wait_fd=17, status = 0, state = Triggered, pollret = 0 revents = 0x0)
09:27:13.048 JACK connection graph change.
**** alsa_pcm: xrun of at least 393698.976 msecs
09:27:13.052 XRUN callback (8).
09:27:13.232 JACK connection change
How can I go about debugging this further? Thank you a lot!
P
Hey hey,
I'd like to present let's dance (on four):
https://youtu.be/mXjZJasO00M
OGG version:
https://www.dropbox.com/s/w3l8fy0zy5y1nq8/lets_dance-on_four.ogg
This piece takes many inspirations in style and melodies, though it is not a
cover of anything. The style is taken from 70s disco funk as played by the
Munich Music Machine, a collecitve who cover classical pieces in their style.
The piano theme is inspired by late romantic piano compositions. There are
actually two small quotations from radio jingles of old (until early/mid 90s)
from the public German radio station WDR4, which explains the title.
Technically, LinuxSampler brings us the grand piano and the electric ones
(both Rhodes and Wurlitzer) as well as the drums. The drum kit was especially
assembled for this tune. The bass is courtesey of Fluidsynth and the naturally
decaying bass soundfont. Yoshimi perfectly shines as a string machine. Both
arpeggios and lead synths are hardware, the Behringer Neutron and Aruturia
MiniBrute 2s.
In terms of plugins, I had to discover a few new ones and find new uses for
old horses to achieve that distinct 70s sound. Even with good raw material it
took quite a bit of processing to approximate the sound to the best of my
abilities. Judge for yourself...
Best wishes,
Jeanette
--
* Website: http://juliencoder.de - for summer is a state of sound
* Youtube: https://www.youtube.com/channel/UCMS4rfGrTwz8W7jhC1Jnv7g
* Audiobombs: https://www.audiobombs.com/users/jeanette_c
* GitHub: https://github.com/jeanette-c
Here I go, on my own now <3
(Britney Spears)