This is a maintenance release of guitarix2 with some minor fixes.
Guitarix is a mono tube amplifier simulation for jack, with additional
mono/stereo effect racks which can be filled with some in-build effects
as well as with external LADSPA plugins.
Things that changed in this release:
* fix In "organize" mod copying preset form one bank to the
same one corrupts the bank
* add sse4a (CPU optimization) to wscript
* add treble booster unit
* set osc buffer-size menu to sensitive false when jack buffer
is larger then 1023 to avoid X-runs
Please refer to our project page for more information:
http://guitarix.sourceforge.net/
download site:
http://sourceforge.net/projects/guitarix/
have fun
guitarix development team
_______________________________________________
(apologies for cross-postings)
Note: the October 15th deadline for submissions is fast approaching!
Details follow:
The Society for Electro-Acoustic Music in the United States (SEAMUS) is
pleased to announce the 2013 ASCAP/SEAMUS Student Composer Commissioning
Program.
The purpose of this program is to stimulate student participation in SEAMUS
activities, and to encourage young composers to pursue creative endeavors in
electro-acoustic music. The program is administered by SEAMUS and funded by
the American Society of Composers, Authors and Publishers (ASCAP)
<http://www.ascap.com <http://www.ascap.com/> >.
The submission deadline is October 15, 2012.
For more information, and the online application, please visit the SEAMUS
web site at http://www.seamusonline.org/
RULES FOR SUBMISSION
Note that the rules and procedures have changed as of this year. All
submissions are to be made online, through the seamusonline.org
<http://seamusonline.org/> website. Only one work of electroacoustic music
may be submitted, which must adhere to the following guidelines:
Music submissions must be prepared as a single LastnameFirstname.MP3 or
LastnameFirstname.ZIP archive.
Audio Files: music submissions should include a representative audio
recording of the work. If a concert work, it must be the complete
composition. Installations may be represented by an excerpted recording not
to exceed 10 minutes in length. Judging of music submissions for
ASCAP/SEAMUS Student Competition will be from audio files in the MP3 format.
Multichannel works will be judged from a stereo mix, also MP3. Please assist
us by submitting in MP3 format.
Scores: for submissions involving a score, please submit an anonymized PDF
score for review. Please do not mail in printed scores at this time.
Video Submissions: note that for works involving video, only the audio
portion will be considered for judging purposes. You must be the composer of
the music for the video. Please submit an MP3 of the music as specified
above.
Only one (1) entry per student.
This same work may be submitted to the SEAMUS 2013 National Conference via
the conference submission page. All finalists in the ASCAP/SEAMUS Student
Commission Competition must attend the SEAMUS 2013 National Conference.
AWARDS
A maximum of two prizes may be awarded. The decision of the judges will be
final.
First Prize
Commission of $1250 for a new work of electro-acoustic music
Performance of commissioned work at the 2014 SEAMUS National Conference
Recording of the commissioned work in the SEAMUS Compact Disc Series
Certificate of recognition
Second Prize
Commission of $750 for a new work of electro-acoustic music
Performance of commissioned work at the 2014 SEAMUS National Conference
Certificate of recognition
ELIGIBILITY
Applicants to the 2013 ASCAP/SEAMUS Student Commissioning Competition must
be student members of SEAMUS and must be either currently enrolled in an
academic program in the United States (high school through doctoral studies)
or a United States citizen studying abroad. All completed submissions will
be verified for student status against current SEAMUS membership records.
Per Bloland
SEAMUS Member-at-Large
Laborejo, Esperanto for "Workshop", is used to craft music through notation.
It is a Lilypond GUI frontend, a MIDI creator and finally a tool collection to inspire and help you compose.
It works by reducing music-redundancy and by seperating layout and data.
Before you read the details make sure to connect to Laborejos Facebook, Twitter or Google Plus!
https://www.facebook.com/Laborejohttps://twitter.com/#!/Laborejohttps://plus.google.com/b/116744898976321238325/
Screenshot: http://www.laborejo.org/images/screenshots/latestscreenshot.png
This is the release of version 0.3
Download: https://github.com/nilsgey/Laborejo/tarball/0.3
Dependencies: http://www.laborejo.org/documentation
Linux Instructions: Unpack, cd into the created directoy, execute:
./laborejo-qt
Then use the number- and cursor keys for immediate success!
Check Help->Manual for navigational and note/rest entry keys. Everything else is in the menus.
New since version 0.2 (highlights):
-Many performance and stability improvements
-Improved Midi performance. Slur ends, tenuto etc.
-Ardour 3 exporter
-Fine control over midi velocity and note durations per note.
-Translation is now possible. A partial German translation is included.
-Lisalo Importer (convenient way to create new files with all jack connections set up already)
-Mirror notes, reverse, shuffle, sort ascending/descending
-The GUI can now open multiple files in tabs.
-Open as template: Use existing save files as templates for new ones. No need for explicit template files. Every file is one.
-Many new Lilypond and GUI functions such as: Auto-Piano staff from a single track (great for arpeggios), piano pedals and many more.
-Convert chord-tracks to single voice tracks
Most important known problems:
* This is Alpha Grade Software. Don't use for long-term work. However, the produced midis and PDFs will last forever.
* There is no built-in jack midi output yet. You have to export midi files.
* Documentation is nearly non-existent.
* Deleting selected objects may result in strange gui behaviour. Nothing a save/reload can't fix for now.
Have fun, it would be nice to hear from you!
Nils
http://www.laborejo.org
I am excited to announce the release of Mixer4 v 1.08 and Waveplayer
1.0.
Waveplayer is a lightweight (16 KB in size) console-based .wav player
using ALSA. It allows you to choose start and stop playback points,
and repeat playback or editing of those points.
Mixer4 is a text based audio mixer and processor which has been in
development for over a year. The current release includes integration
of the Waveplayer so that audio playback can initiate as soon as the
mixfile is built. Preview mode allows efficient processing of portions
of the mix at a time.
Recent work also includes 8 submixes with patchable effects, tempo and
meter mapping, and more user customizations.
Mixer4 packs a lot into 120 KB! The emphasis is on sound quality,
stability, and simplicity.
32 and 64 bit binaries are available here..
www.acousticrefuge.com/mixer4.htm
Please feel welcome to contact me for support and questions.
Best wishes,
Grekim
grekimj at acousticrefuge dot com
Hi there,
Maybe some of you agree with me, that this has been the longest since
last dot release and the new one with the least brand new features count
being introduced. Aha no big deal I say, the uber-procrastinator is just
roaring its ugly head once more, specially after a beloved summer
vacation season. Whatever.
Qtractor 0.5.6 (golf tango) is now released!
One of the interesting dots, if not the most, is that LV2 State Files
interface implementation, once in a gruesome SNAFU support status, is
now officially over. For the laymen it means that any files, referenced
by those LV2 plug-ins which implement the LV2 State Files interface,
will get righteously bundled to an archive/zip session file (suffix or
extension .qtz), all other cases remain untouched. That should add up
some notches on the session portability and archival ranks and purposes.
Besides, LV2 1.0.0 compliance status is now closed business. I hope.
Moving on, slowly forward...
Release highlights:
* LV2 State Files support (NEW)
* Unused files clean-up removal (NEW)
* Edit/Insert empty range (NEW)
* MIME Document types and icons (NEW)
* Improved plug-in state resilience (FIX)
* French and Japanese translations (NEW)
Website:
http://qtractor.sourceforge.net
Project page:
http://sourceforge.net/projects/qtractor
Downloads:
- source tarball:
http://downloads.sourceforge.net/qtractor/qtractor-0.5.6.tar.gz
- source package (openSUSE 12.2):
http://downloads.sourceforge.net/qtractor/qtractor-0.5.6-2.rncbc.suse122.sr…
- binary packages (openSUSE 12.2):
http://downloads.sourceforge.net/qtractor/qtractor-0.5.6-2.rncbc.suse122.i5…http://downloads.sourceforge.net/qtractor/qtractor-0.5.6-2.rncbc.suse122.x8…
- quick start guide & user manual:
http://downloads.sourceforge.net/qtractor/qtractor-0.5.x-user-manual.pdf
Weblog (upstream support):
http://www.rncbc.org
License:
Qtractor is free, open-source software, distributed under the terms
of the GNU General Public License (GPL) version 2 or later.
Change-log:
- The dedicated audio outputs setting for instrument plugins was not in
effect as default global option for new MIDI tracks, now fixed,
hopefully (thanks to danboid aka. Daniel MacDonald persistence).
- An immediate Files widget cleanup option is now made available, as to
select and remove all unused file entries.
- MIDI track (un)solo/mute reset clip event sequence fixing; definite
regression to MIDI track's occasional muting bug while clip editing and
playback is rolling.
- Apologies due on this one: shift/ctrl keyboard modifiers are back in
business to change MIDI events currently selected in one single step
while on MIDI clip editor (aka. piano-roll). Sorry.
- Japanese (ja) translation added (by Takashi Sakamoto).
- General time-scale bar, beat and tempo rounding fixing.
- Keyboard shortcuts configuration (Help/Shortcuts...) now checks and
warns for already assigned key sequences.
- The View/Snap menu is now listed as fully accessible actions, making
each snap-per-beat setting assignable to a keyboard shortcut (after a
feature request by danboid aka. Daniel MacDonald, thanks).
- Fixed MIDI resize tool, now applying symmetric proportional changes to
pitch-bend event values [-8191, +8191].
- Fixed re-loading of LV2 Presets that are newly created/saved during
current session; actually delete and remove a LV2 Preset if found in the
file-system (as suggested by Jiri Prochaszka aka. Anchakor, thanks again).
- Preset drop-down list is now sorted, on plugin properties dialog.
- After a long absence, edit(blue) cursor vertical lines are back on the
MIDI clip editor views (aka. piano-roll).
- LV2 1.0.0 compliance phase II: LV2 State Files support completed.
- Updated to newer LV2 External UI extension support (now maintained by
Filipe Coelho aka. falktx).
- Brand new editing tool: empty range insertion, split/moving clips or
events forward the specified edit-head/tail interval, defaults to next
measure or bar (cf. menu Edit/Insert/Range, Track Range).
- Don't show the waiting cursor anymore when loading any plugins which
might have a nice native editor (GUI) and options are set to show it.
- MIDI clip editor now hopefully rid of random but persistent muting, a
slight regression to editing while playback is rolling.
- A MIDI file player's bug, evident while transport rolling in looped
mode, has been fixed with yet another oneliner patch (kind by Jiri
Prochaszka aka. Anchakor, thanks again).
- LV2 plugins with a Qt4 GUI (guess what or whom?) are now guaranteed to
some reasonable window type like Qt::Widget but not Qt::Dialog nor
Qt::Popup, preventing those from standing always on top while on some
window managers or desktop environments (a simple addition by Jiri
Prochaszka aka. Anchakor, thanks).
- MIME type icons support for session (*.qtr *.qtr), template (*.qtt)
and zip/archive (*.qtz) are now being introduced.
- LV2 State Files feature support is shamelessly getting real trial, now
letting files referenced in LV2 plugin states to be seamlessly included
when saving to a zip/archive file bundle (.qtz suffix). Added some
virtual destructor stubs to shut up gcc 4.7 warnings.
- Improved plugin state resilience, now finally with parameter name
matching, specifically targeted on loading old sessions or plugin preset
files (.qtx), preserving old saved plugin states as much as possible in
face of rogue or discrete parameter index renumbering, due naturally on
any plugin's life cycle ie. upgrades etc.;)
- Added some more snap-to-beat divisors (Beat/14, /21 and /28) due on
feature request ticket, while dropping highest, probably useless one
(Beat/128).
- New French (fr) translation added (by Yann Collette, thanks).
- Slight late optimization on vertical zebra/grid lines drawing.
Enjoy!
--
rncbc aka Rui Nuno Capela
Hi All,
Praxis LIVE is an open-source, graphical environment for rapid
development of intermedia performance tools, projections and
interactive spaces.
A new build of Praxis LIVE is now available for download. While this
is mainly a bug fix release, it does see the Praxis command line
player added to the main installation, and work which paves the way
for distributing Praxis projects as standalone applications (coming
separately in the next couple of weeks).
Website - http://code.google.com/p/praxis
Release notes - http://code.google.com/p/praxis/wiki/ReleaseNotes
Videos - http://praxisintermedia.wordpress.com/2012/07/30/video-rough-cuts-1/
If any of you who've been playing with Praxis LIVE would be interested
in submitting example projects for the next release, please get in
touch with me off-list.
Thanks and best wishes,
Neil
--
Neil C Smith
Artist : Technologist : Adviser
http://neilcsmith.net
Hi,
I'd like to announce Folve, a FUSE filesystem that convolves audio
files as they are accessed.
https://github.com/hzeller/folve#readme
It contains some examples to try right away.
If you want to filter your audio (for effect reasons, such as adding
reverbs, or just to linearize the frequency response of your
speakers), but your system doesn't provide a way to do this while
playing, your only option was to pre-process your audio files
accordingly. This is time- and disk-consuming, and you probably
wouldn't do it just for the fun of adding a reverb.
Folve solves this problem: it provides the audio files readily
convolved as you access them. It also provides a simple HTTP UI to
switch between filters.
Right now, Folve is tested with FLAC files; other audio file formats
do work, but not all work well with streaming.
This is the first public announcement on the announce/user list, but
Folve should already pretty usable. Please report problems and feature
requests through the github issue tracker.
-henner
Hi list,
I'm happy to announce the release of Spek 0.8.0 - a multi-platform
acoustic spectrum analyser.
Find out more about Spek on its website: http://spek-project.org/
New features since 0.7:
* Adjustable spectral density range (#4).
* Switched from GTK+ to wxWidgets for better Windows and OS X integration.
* Single .exe version for Windows.
* Added translations in 8 more languages (totalling 16).
Enhancements:
* Switched to .xz tarballs.
* Split out libspek and added unit tests.
* 24-bit APE support (upstream fix).
* Better toolbar icons on Windows and OS X (#21).
* Installer options for app shortcuts on Windows (#1).
* Associate with audio/video files on OS X (#2).
* Online manual (#24).
Bugfixes:
* Fixed crash when the preferences file is not writable.
* Fixed crash when the home directory is not writable.
* Fixed duration and rendering for some video files.
* Fixed compilation with newer FFmpeg and libav versions.
* Proper handling of Unicode file names under Windows (upstream fix).
* Don't lock the input file on Windows (#26).
Cheers,
Alex
The FFADO project is pleased to announce the long-awaited version 2.1.0.
With improved stability, many bugfixes and a large number of newly supported
devices this version represents 2 years work by the small but dedicated
FFADO team. All users of FFADO are encouraged to upgrade.
This source-only release can be downloaded from
http://www.ffado.org/files/libffado-2.1.0.tgz
FFADO is brought to you thanks to the work of Daniel Wagner, Pieter Palmers,
Philippe Carriere, Adrian Knoth, Arnold Krille, Jonathan Woithe and the many
people who have tested FFADO against their devices, provided patches and
given suggestions.
Changes and additions in FFADO 2.1:
* Significantly improved support for the new "juju" firewire stack
found in
newer kernels
* Support for JACK freewheeling mode and set-buffer-size operation
* Lower CPU usage
* udev rules included in FFADO to give user access to audio device files
* More stable streaming
* Fix crash when realtime system clock was set
* Fix race conditions and invalid memory accesses on shutdown
* Fixes for clean compilation on recent gcc versions (up to 4.7)
* ffado-diag enhanced to aid debugging efforts
* Many bugs fixed
New DICE-based devices supported in FFADO 2.1 (up to 96 kHz rate only):
* Alesis (no mixer support):
io|14
io|26
Multimix16 Firewire
* FlexRadio Systems (no mixer support):
Flex-5000
* Focusrite:
Saffire PRO 40 (44.1 kHz, 48 kHz and 88.2 kHz only)
Saffire PRO 24
Saffire PRO 24 DSP (audio streaming and mixer only: no DSP)
Saffire PRO 14 (no mixer or router control)
Liquid Saffire 56 (experimental: 44.1/48 kHz only, no mixer/router)
* Lexicon (generic mixer):
I-ONIX_FW810S
* DnR (no mixer):
Axum Firewire IO card 16x16
* M-Audio (basic audio with generic mixer):
ProFire 2626
ProFire 610
* Presonus:
Firestudio Project (generic mixer)
Firestudio Tube (generic mixer)
Firestudio Mobile (no mixer)
Studiolive_1642 (no mixer)
Studiolive_2442 (no mixer)
* TCAT (audio only):
DiceII EVM (1)
DiceII EVM (2)
DiceII EVM (4)
* TC Electronic:
Konnekt 24D (no mixer support)
Konnekt 8 (no mixer support)
Studio Konnekt 48 (no mixer support)
Konnekt Live (no mixer support)
Desktop Konnekt 6 (no mixer support)
ImpactTwin (generic mixer only)
* Weiss Engineering Ltd. (no mixer support):
ADC 2
Vesta
Minerva
AFI 1
TAG DAC1
INT 202
DAC 202
Other new devices supported by FFADO 2.1:
* RME (no MIDI I/O support yet)
Fireface 400
Fireface 800
* MOTU
896 mk 3 (audio only, no mixer yet)
Traveller mk 3 (experimental)
Ultralite mk 3 (experimental)
Ultralite hybrid (firewire only, experimental)
* FCA-202, and possibly other Oxford FW-92x devices
* Mackie Onyx i
* M-Audio Ozonic (no mixer)
* Phonic HelixBoard 24 Universal (no mixer)
* Tascam IF-FW/DM (experimental, incomplete)
* Yahama GO46
