Greetings,
So here comes the time for another public release of the (cute) FluidSynth
Qt Interface: Qsynth 0.2.5 is out!
Just as one can read from the change log:
- New dial-knob behavior now follows mouse pointer angular position,
almost similar to old QDial, but this time avoiding that nasty and rather
abrupt change on first mouse click.
- By simple use of widget subclassing, the value/position of any dial knob
can now be reset to its default or original position at any time, by
simply pressing the mouse mid-button. These default value positions are
just committed to current dial values when switching engines and/or
closing the application.
- Optional specification of alternate fluidsynth installation path has
been added to configure command arguments (--with-fluidsynth).
- After some source code tweaks, a win32 build is now possible
(instructions will be provided on demand :)
- Bank offset finally gets its due effect, while on the channels and
channel preset selection dialogs. Regretfully, the soundfont bank offset
feature has been lurking ever since its inception, but now its live and
hopefully effective.
- A new fancy widget has arrived, qsynthKnob, with some modifications to
replace the actual *ugly* QDial widgets in the main window. This widget is
based on a design by Thorsten Wilms, formerly implemented by Chris Cannam
in Rosegarden, and finally adapted and brought to Qsynth by Pedro
Lopez-Cabanillas. Thankyou all.
Available from the usual places:
http://qsynth.sourceforge.nethttp://sourceforge.net/projects/qsynth
Enjoy.
--
rncbc aka Rui Nuno Capela
rncbc(a)rncbc.org
Greetings,
So here comes the time for another public release of the (cute) JACK Audio
Connection Kit - Qt Interface: QjackCtl 0.2.20 is out!
Just as one can read from the change log:
- Server path setting now accepts custom command line parameters (after a
kind suggestion from Jussi Laako).
- The internal XRUN callback notification statistics and reporting has
been changed to be a bit less intrusive.
- Patchbay socket dialog gets some more eye-candy as icons have been added
to the client and plug selection (combobox) widgets.
- Connections and patchbay lines coloring has changed just slightly :)
- New patchbay socket forwarding feature. Any patchbay socket can now be
set to have all its connections replicated (i.e. forwarded) to another
one, which will behave actively as a clone of the former. Forward
connections are shown by vertical directed colored lines, and can be
selected either on socket dialog or from context menu (currently
experimental, only applicable to input/writable sockets).
- Optional specification of alternate JACK and/or ALSA installation paths
on configure time (after a patch from Lucas Brasilino, thanks).
Available from the usual places:
http://qjackctl.sourceforge.nethttp://sourceforge.net/projects/qjackctl
Enjoy.
--
rncbc aka Rui Nuno Capela
rncbc(a)rncbc.org
Hi!
Simply put, LinuxMAO.org (standing for "Linux Computer-aided Music") is a
french-speaking Wiki for worldwide linux-audio-users:
http://www.linuxmao.org/
In a rather humble than chauvinistic initiative, let's say it's a common wisdom
french people do not speak english that fluently... ,-)
Contributers are welcome!
Christian
dssi-vst: a DSSI plugin wrapper for Win32 VST plugins
=====================================================
dssi-vst 0.4 is now available.
The main change since the 0.3.1 release is that dssi-vst now builds with newer
versions of the Wine tools. Wine 0.9.5 or newer is now required.
This release also builds with version 2.4 of the VST SDK, although it should
still work with the older 2.3 as well.
Download it from:
http://sourceforge.net/project/showfiles.php?group_id=104230&package_id=127…
You will also need the VST SDK, from:
http://www.steinberg.de/Steinberg/Developers8b99.html
More information about DSSI:
http://dssi.sourceforge.net/
Chris
Greetings to all,
Announcing grad_Boxster for creating impulse response functions
(IR's) for rectangular parallelepipeds --- for example concert
halls modelled as giant boxes --- but using the *gradient* of the
solution field projected on a direction specified by the user,
similar to the operation of a pressure-gradient microphone --- in
a room.
At the URL below is a link to this package for downloading as well
as a NON-optimized, alternating demo of grad_Boxster versus
Boxster (i.e. "ordinary stereo versus binaural" or even "speakers
versus headphones"):
http://home.earthlink.net/~davidrclark
grad2_Boxster is also available for simulating second-order mics
in rooms. Extending grad_Boxster, the gradient of the first-order
projection is computed and projected onto a second direction
specified by the user.
By combining IR's from Boxster (pressure mic), grad_Boxster
(first-order mic), and grad2_Boxster (second-order), it should be
possible to simulate any type of mic setup and combination of
setups in any room that could be considered to be a box. Starting
with dry, monophonic recordings made in a dead room, one should be
able to simulate very sophisticated mic setups in a concert hall,
then assemble them into a mix, simulating an ensemble recording,
all with a physically consistent model.
The demo contrasts simulation of nearly coincident pressure-
gradient mics (grad_Boxster) in a 12,500 m3 concert hall versus
binaural omni pressure mics (Boxster, no HRTF) in the same hall
with the same separation between mics for both. The only
difference for the first half of the demo is whether or not the
gradient is computed, yet the sounds are very different both with
speakers and with headphones (esp. the latter). In the second
half, the positions of the guitars are slightly different (maximal
separation for either).
---------------------------
In short, grad_Boxster can be used to simulate ordinary stereo
recordings (Blumlein, etc.) in the same manner that Boxster can be
used for simulating binaural recordings, complete with reverb, echo,
stereo separation, and so on --- but with physical consistency. As
a side effect, both new programs provide other "knobs" for extending
sample generation capability. All programs can be run either from
a PyGtk GUI or from the command line.
Regards to all,
Dave
Dave Clark
Hello all,
Linuxaudio.org members 64 Studio and Lionstracs will be exhibiting at
the Sounds Expo trade show in London on the 9-11th March this year:
http://www.sounds-expo.co.uk/
If you'd like to help out with the stand, or just pay us a visit, please
let me know.
Cheers!
Daniel
----Original Message-----
From: Ed Carter <ed(a)lowtech.org>
To: Multiple recipients of list SONICARTSNET
<sonicartsnet(a)sheffield.ac.uk>
Sent: Tue, 14 Feb 2006 21:40:19 GMT
Subject: l.o.s.s - open source sound project
[Apologies for cross-posting, please circulate where appropriate.]
http://loss.access-space.org
The l.o.s.s project promotes and supports the use of free, open source
music software, in conjunction with Creative Commons (CC) licensing
which accepts and encourages sharing.
As well as a CD of curated work (also available for free download),
the project's online presence is intended to become a focal point for
artists working with open source software, and releasing their work
through CC licenses. Please visit the website for details of how to
contribute tracks.
The aim of the project was not to portray any kind of 'open source'
sound, but to offer an array of some of the interesting work people are
creating with what is available. The result is an incredibly diverse
compilation of internationally renowned artists, encompassing
electronica, soundscapes, hiphop and electro-acoustic amongst other
styles.
Contributions for the CD include work by Nullpointer, Ava, Edge
Effect, Jake Harries, Collective Motion, Panayiotis Kokoras, DJ Auto,
Chaos Butterfly, Slub, Minimal Turntablist Crew and Elektronengehirn.
Even the artwork was produced using open source techniques by Matt
Gray (Ava), and the album was mastered at Mirror Image Studios in
Minneapolis, again, using the Linux operating system and libre
software.
The project is run by the registered charity Access Space, a free
media lab based in Sheffield, promoting open source software and using
recycled hardware.
More info, and downloads of more open source music, visit:
http://www.loss.access-space.org
..................................................................
Download from http://ccrma.stanford.edu/~kjetil/src/
*****************************************************
E-radium
--------
E-radium is Radium and a special version of E-UAE (with support for
realtime scheduling and alsa midi). Radium is a unique type of music
event editor made to be efficient and give all sorts of possibilities.
The user interface is inspired by trackers, but Radium is generally a lot
more versatile and can be used for all kind of genres.
http://www.notam02.no/radium/
Warning: E-radium does not seem to work on 64bit machines. :-(
Changes 0.61d->0.61e
--------------------
-Run XInitThreads(). Should fix e-radium in case you got xlib async
errors. (Fix for SMP machines)
****************************************************
Das_Watchdog
------------
Das_Watchdog is a general watchdog for the linux operating system that
should be run in the background at all times to ensure a realtime process
won't hang the machine.
Changes 0.1.2->0.2.0
---------------------
* Don't do anything if no process priorities are changed, when
watchdogging.
* Added the --force option, that sets the priority of all timer processes
to FIFO/99.
* Added the das_watchdog /etc/init.d script provided by Stefan Kersten.
(das_watchdog.rc)
* Added the --verbose option.
* Check that its the same process when setting back old priority.
* Don't set back to old priority if the priority has been changed in the
mean time.
* Added options for setting increasetime, checktime and waittime.
(--increasetime, --checktime and --waittime)
* Don't change the priority of any timer process when watchdogging.
* Smaller code cleanups.