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NIME 2018 3rd call for submissions

by Ivica Ico Bukvic

NIME 2018 Call for submissions Please pardon the cross-posting, *A friendly reminder that the submission deadline of January 20th, 2018, for the NIME 2018 conference is now a week away. Please note as long as you create a placeholder entry, you will be able to edit it until the final submission deadline of January 27th. The paper templates and all other supporting information is available on the website (**NIME2018.ORG <http://nime2018.org>). We sincerely look forward to your submissions. In the meantime, should you have any questions, please do not hesitate to contact us.* NIME (New Interfaces for Musical Expression) is the premier conference in human-machine interfaces and interactions for musical performance. NIME is a gathering of researchers, designers, musicians, who come together to share knowledge, perform music, and build community through research presentations, concerts, installations, and workshops. On behalf of the 2018 NIME Committee I am pleased to announce that the NIME 2018 "Mirrored Resonances" Conference call for submissions is now officially open! Co-organized between Virginia Tech and the University of Virginia, the conference will take place June 3-6, 2018 in Blacksburg, Virginia. We welcome submissions of papers, posters, panels, musical performances, installations, demos, and workshops, particularly those that may respond to the overarching conference theme of “Mirrored Resonances” and its thematic areas in any of the many ways they might be interpreted. Likewise, we encourage potential participants to consider exploring the unique Virginia Tech facilities, including the Institute for Creativity, Arts, and Technology’s Cube with a massive high density loudspeaker array. The deadline for the *double-blind peer reviewed submissions*, including papers, panels, demo papers, music, and installations is January 20th, 2018. Submissions created by January 20th will continue to be editable until January 27th when the submission process will close. Demos without paper and workshops will be *curated *and have an extended submission deadline until March 1st, 2018. In addition to the NIME and academic communities, we also invite industry, as well as non-academic creatives to consider participating in the aforesaid categories. For a complete list of important dates visit the Participate <http://nime2018.icat.vt.edu/Participation/#dates> page. We are excited to announce that the conference will feature four keynote artists: *Onyx Ashanti** **Benjamin Knapp** **Ikue Mori** **Pamela Z* If interested in sponsorship opportunities please do not hesitate to contact us <mailto:conference-chairs@nime2018.org?Subject=NIME%202018%20Sponsorship> On behalf of the entire NIME 2018 Committee, we look forward to welcoming you in Virginia next June! Go to the website <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-r/> NIME2018.ORG <http://nime2018.org> Facebook <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-y/> Twitter <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-j/> Instagram <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-t/> Website <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-i/> Moss Arts Center 190 Alumni Mall Blacksburg, VA 24060 Like <http://virginiatech.cmail19.com/t/j-fb-otlirdl-ydiykltyik-d/> Tweet <http://virginiatech.cmail19.com/t/j-tw-otlirdl-ydiykltyik-h/> Share <http://virginiatech.cmail19.com/t/j-li-otlirdl-ydiykltyik-p/> Forward <http://virginiatech.forwardtomyfriend.com/j-ydiykltyik-61B1A90A-otlirdl-l-x>

6 years, 12 months

reMID.lv2 v0.1 - Nothing else to do but release

by Spencer Jackson

I don't think I ever gave a proper release and there haven't been any bug reports for a while so: https://github.com/ssj71/reMID.lv2/releases/tag/v0.1 This actually is pretty stable and I don't have a lot of time to work on it, so I figure I should at least do a first official release. For those holding out for a GUI check out https://www.tracktion.com/products/8bit-treats Those are probably more like what you expect, but don't have the scripting capabilities of reMID. enjoy! _Spencer

6 years, 12 months

LAC 2018 : Call for Papers / Posters / Workshops/ Music Performances / Multimedia Installations

by Robin Gareus

[Apologies for cross-postings] [Please distribute] Conference date: 7th - 10th June 2018 The Linux Audio Conference 2018 will be hosted at c-base, Berlin - in partnership with the Electronic Music Studio (TU Berlin) and Spektrum. https://lac.linuxaudio.org/2018 Deadline for all submissions: Friday, February 28th, 2018 (23:59 UTC) - - - 1: Call for Papers / Posters / Workshops LAC 2018 invites submissions of papers, posters and workshops addressing all areas of audio processing based on Linux and open source software. All submissions and presentations are in English. All submissions are peer reviewed by a committee of experts from different disciplines. Submissions can focus on technical, artistic or scientific issues and can target developers or users. For more details see the website: https://lac.linuxaudio.org/2018/pages/cfp/ *Papers* Papers must be written and presented in English. The length of papers is 4 to 8 pages, with up to 5 keywords, and an abstract of up to 200 words. The poster presentations are based on paper submissions of 2-4 pages, with up to 5 keywords and an abstract of up to 150 words. *Workshops* The workshop presentation (max duration of 2h) should be 1-4 pages, with up to 5 keywords, and an abstract of up to 150 words to be published on the conference website. Submit a brief description of the workshop including URL (if available). How to submit? * Use the OpenConf online submission tool at https://lac.linuxaudio.org/2018/openconf * Select the relevant submission type ('_ PAPER _' / '_ POSTER _' / '_ WORKSHOP _') * The required file format is PDF, formatted for A4 paper. Authors are required to use the templates for paper formatting available as download on the conference website. * Please notify us if you need a special technical setup for your presentation. - - - 2: Call for Music Performances / Multimedia Installations LAC 2018 also invites submissions of Electroacoustic Works and Multimedia Installations. A jury will select the compositions and installations to be included in the conference program according to artistic merit and technical feasibility. Please be prepared to perform your work yourself and make sure that you have all resources needed to perform your piece at your disposal (e.g. instruments, other performers, etc.). Unfortunately, LAC 2018 cannot pay a fee neither for you nor for any additional performers, and LAC 2018 cannot organize or pay for travel or accommodation neither for you nor for any additional performers. All submissions are peer reviewed by a committee of experts in music and arts. Electroacoustic Works and Multimedia Installation can address all areas of digital audio and audiovisual art. Available Technical Setups For concerts, the LAC will provide the following equipment: * 8-channel - speaker setup * Stereo setup + video projection * Digital mixing desk Additional requests can not be guaranteed. How to submit? * Use the OpenConf online submission tool at https://lac.linuxaudio.org/2018/openconf * Select the submission type '_ PERFORMANCE _' * The required file format is PDF, formatted for A4 paper. It includes: * Description of the project program notes * Link to video or audio demonstration of the project * Technical rider of the work Important Dates * Deadline for all submissions: Friday, February 28th, 2018 (23:59 UTC) * Acceptance notification: March 31st, 2018 * Final deadline for 'camera ready' paper: April 15th, 2018 * Author registration deadline: April 15th, 2018 * Final program: May 1st, 2018 Up-to-date information regarding the conference can be found on its website: https://lac.linuxaudio.org/2018 Looking forward to seeing you in Berlin! The Linux Audio Conference 2018 team

6 years, 12 months

QmidiCtl 0.5.1 - An Early Winter'18 Release

by Rui Nuno Capela

Hi there! Happy new year to y'all! I know I'm a little bit late on that, but can you _feel_ the news? No? There's _no fake news_ whatsoever! I'd let you solve the riddle by yourself as it's way more fun that way ;) QmidiCt 0.5.1 (early winter'18) released! QmidiCt [1] is a MIDI remote controller application that sends MIDI data over the network, using UDP/IP multicast. Inspired by multimidicast [6] and designed to be compatible with ipMIDI for Windows [7]. QmidiCt [1] has been primarily designed for the Maemo [8] enabled handheld devices, namely the Nokia N900 [9] and also being promoted to the Maemo Package [10] repositories. Nevertheless, QmidiCtl [1] may still be found effective as a regular desktop application as well. See also: QmidiNet [2] - A MIDI network gateway via UDP/IP multicast. Website: http://qmidictl.sourceforge.net https://qmidictl.sourceforge.io Project page: http://sourceforge.net/projects/qmidictl Downloads: http://sourceforge.net/projects/qmidictl/files - source tarball: http://download.sf.net/qmidictl/qmidictl-0.5.1.tar.gz - source package: http://download.sf.net/qmidictl/qmidictl-0.5.1-13.rncbc.suse.src.rpm - binary package: http://download.sf.net/qmidictl/qmidictl-0.5.1-13.rncbc.suse.x86_64.rpm - AppImage [11] package: http://download.sf.net/qmidictl/qmidictl-0.5.1-3.x86_64.AppImage - Android package: (*NEW*;) http://download.sf.net/qmidictl/qmidictl-0.5.1-3.apk https://play.google.com/store/apps/details?id=org.rncbc.qmidictl https://qmidictl.en.aptoide.com/ Git repos: http://git.code.sf.net/p/qmidictl/code https://github.com/rncbc/qmidictl.git https://gitlab.com/rncbc/qmidictl.git https://bitbucket.com/rncbc/qmidictl.git Change-log (since last QStuff* End-of-Autumn'17 release [12]): - A little hardening on the configure (autoconf) macro side. - A rather naive attempt to port to the Android-Qt platform; also introducing an (Android) Action Bar menu look-a-like. License: QmidiCt [1] is free, open-source Linux Audio [4] software, distributed under the terms of the GNU General Public License (GPL) version 2 or later [5]. References: [1] QmidiCtl - A MIDI Remote Controller via UDP/IP Multicast http://qmidictl.sourceforge.net [2] QmidiNet - A MIDI Network Gateway via UDP/IP Multicast http://qmidinet.sourceforge.net [3] Qt framework, C++ class library and tools for cross-platform application and UI development http://qt.io/ [4] Linux Audio consortium of libre software for audio-related work http://linuxaudio.org [5] GPL - GNU General Public License http://www.gnu.org/copyleft/gpl.html [6] multimidicast - sends and receives MIDI from ALSA sequencers over network http://llg.cubic.org/tools/multimidicast [7] ipMIDI - MIDI over Ethernet ports - send MIDI over your LAN http://nerds.de [8] Maemo.org - Home of the Maemo community http://www.maemo.org [9] Maemo.org Wiki - Nokia N900 http://wiki.maemo.org/Nokia_N900 [10] Maemo.org - Downloads: QmidiCtl http://maemo.org/downloads/product/Maemo5/qmidictl [11] AppImage, Linux apps that run anywhere http://appimage.org/ [12] The QStuff* End of Autumn'17 Release http://www.rncbc.org/drupal/node/1876#qmidictl See also: http://www.rncbc.org/drupal/node/1881 Enjoy && keep the fun. -- rncbc aka. Rui Nuno Capela

6 years, 12 months

MusE 3.0.0 released

by Robert Jonsson

MusE 3.0.0 released January 6, 2018 Hello all, Can you hear it? No? Well, let me tell you, it’s that time again, more than three years has passed (unfortunately) since the last MusE release. Finally it’s time for a new one. And high time it is, the last stable release seems to not even start on many modern systems… A selection of sorts, changes since the last stable release 2.2.1 are as follows (sorry it’s long): * Switched to Qt5 * New Plugin Path editor in Global Settings: * System-wide move to double precision of all audio paths * LV2 fix for very slow right-click synth 'presets' ex. amsynth * LV2 support PowerOf2BlockLength * LV2 support FixedBlockLength * Mixer makeover with lots of fixes * Arranger Track Info panel complete makeover * New: Persistent routes jack audio and midi routes. * Multi-channel Audio Track routing * Improved automation editing, no multi-point editing yet though * Audio automation graphs undo support * New wave drawing mode in arranger with a tiny outline of the wave file * Added Native VST FX support (synths were already supported) * Added support to resize notes and parts to the left with pencil tool * Added live update of wave parts while recording * Added Native VST shell plugins support * Added recording restart function (CTRL+Space and SHIFT+space keeping the old) * Auto resample imported wave files to project's sample rate * Graphical Routing dialog redone and enhanced * Routing popup menus for midi now allow Jack Midi routing * Device List added to midi configuration, with 'Delete' button. * Added multichannel support for SimpleDrums (+routing ability) * Added lots of instrument definition files * CPU and Audio DSP usage metering * Midi transformer support for for randomizing events * Added sample-rate change according to song file when using RtAudio * Midi device processing implementation greatly improved * External midi clock sync reworked * Large System Exclusive (sysex) message support for ALSA * Added support for RtAudio audio backend - primarily Pulse is supported * Synths can now be selected as a midi input route. * Much improved monitoring functionality * ALSA support is now optional, can run in pure jack mode. * Timer improvements, ALSA timer now first choice. * Fluidsynth MESS synth plugin now propagates drum names using libinstpatch to drum editor * Midi file export: Added missing Aftertouch, PolyAftertouch support * Several host improvements to better support various plugin variants for LV2 and VST * More LV2 extensions supported * Lots of GUI Widget changes, several widgets switchable between knob and slider * Various improvements to midi engine * Greatly reduced CPU usage while playing and automation graph(s) showing. * Some track arranger properties, like track channel can now be manipulated with multiple tracks * Mixer strip order now rearrangeable * Persistent routes for Jack * Multi-channel Audio Track routing. * Routing popup menus redone. * Song file version handling improved * Midi config dialog reworked * "Normalize wave part" menu item for wave track parts * Many new keyboard shortcuts, for instance mute and solo and operate mixer * Bug #526 fixed: Crash on cut with scissors while master open * Added instrument files for: ** Classic Cantabile SP-250 ** Medeli SP4200 ** Korg Krome (Bank Map KORG) ** Korg Krome (Bank Map GM2) ** Roland-MT32 ** Lexicon-MX200 ** Yamaha-Rex50 ** Yamaha-Motif XS And lots and lots of internal changes For the complete list of changes see: https://github.com/muse-sequencer/muse/blob/muse_3_0_0/muse3/ChangeLog News section: http://muse-sequencer.org/index.php/News Download: http://muse-sequencer.org/index.php/Download Demos page: http://muse-sequencer.org/index.php/Demos Forum is dead - use mailing list: http://muse-sequencer.org/index.php/Support#Mailing_Lists Some known issues that aren't dealt with yet: * Add measure does not take automation into account, use Structure add instead. * Unmuting a track during playback sometimes causes wierd sound offset issues, cured by stop/start * Note on the first tick in a loop is not played * Ctrl+C sometimes does not work for copying a part in the arranger, menu alternative works * Automation edit db cue is wrong when editing Keep on Rocking! The MusE Team

7 years

fluidsynth 1.1.9 has been released

by Tom M.

A new maintenance release is available: fluidsynth 1.1.9 Download: https://github.com/FluidSynth/fluidsynth/releases/tag/v1.1.9 API: http://www.fluidsynth.org/api/ Website: http://www.fluidsynth.org FluidSynth is a real-time software synthesizer based on the SoundFont(tm) 2 specifications. It can read MIDI events from the MIDI input device and render them to the audio device. It can also play MIDI files. Tom Moebert FluidSynth Developer Team

7 years

Ambient@40: Call for Proposals Deadline Jan 12

by K Wolfe

*Call for Proposals* Deadline: 17.00 (GMT), Friday 12th January 2018. In the forty years since the release of Brian Eno’s *Music for Airports *the concept and aesthetics of ambient music have proliferated, influencing artists as diverse as Taylor Deupree, Steven Wilson, David Lynch and The Orb, infusing drone, microsound, minimalism and experimental electronic music as well as aspects of contemporary instrumental music. The aim of this two-day conference is to re-appraise ambient music in relation to Eno’s milestone release. Ambient@40 will be hosted in the newly opened Oastler Building at the University of Huddersfield from Friday 23rd to Saturday 24th February. The programme committee invites proposals for: 1. individual papers (20 minute presentation with 10 minutes for questions and discussion); 2. performance and paper (10 minute per performance, 10 minute presentation with 10 minutes for questions). The committee welcomes proposals from academics, independent scholars, research students and practitioners. The conference will run alongside the Electric Spring Festival ( www.electricspring.co.uk) and an evening concert on Saturday 24th February at the Festival will close the conference. The program committee will also invite a selection of those giving papers to write them up in the months following the conference (deadline June 2018) as book chapters for publication in late 2018 / early 2019. *Submission and selection process* All proposals should be submitted to Prof. Monty Adkins (m.adkins(a)hud.ac.uk) by the deadline, Friday 12th January 2018 (17.00, GMT). Individual paper submissions should include an abstract (350 words) and an author biography (200 words). Performance and paper submissions should include a brief overview of the audio presentation including technical resources required (300 words), links to online samples of audio work, an abstract (350 words) and an author biography (200 words). The committee aims to notify proposal authors of its decision by Friday 19th January 2018. Those selected will be asked to confirm their acceptance and technical setup. The full programme will be announced online and booking opened on Monday 22nd January 2018. The Ambient@40 conference registration fee will be £50 (£30 for students/concessions). https://ambientat40.wordpress.com/

7 years

qjackrcd 1.2.0

by Olivier ROUITS

QJackRcd release 1.2.0 QJackRcd is a simple QT5 stereo recorder for Jack with few features as silence processing for automatic pause, file splitting, background file post-processing. 1.2.0 (stable) - Add recorded size indicators in status bar - Add command line parser with all options - Add a console mode only (no GUI) for automation purpose - Add a man page (en) with all options described. - FIX: conflicts between jack transport and record at launch feature in some cases. - FIX: internal recording buffer size not adjusted (too long). 1.1.2 (stable) - Add an option to be in record state at launch time ... see details in README file: https://sourceforge.net/projects/qjackrcd/files/ distribution tar file download: https://sourceforge.net/projects/qjackrcd/files/stable/qjackrcd-1.2.0.tar.g… SF project site: https://sourceforge.net/projects/qjackrcd/ Regards Olivier.

7 years

Rivendell v2.18.2

by Fred Gleason

On behalf of the entire Rivendell development team, I'm pleased to announce the availability of Rivendell v2.18.2. Rivendell is a full-featured radio automation system targeted for use in professional broadcast environments. It is available under the GNU General Public License. From the NEWS file: *** snip snip *** Changes: Fixed a bug that caused creation of new clocks in rdlogmanager(1) to fail to initialize music scheduler components correctly in the database. Database Update: This version of Rivendell uses database schema version 272, and will automatically upgrade any earlier versions. To see the current schema version prior to upgrade, see RDAdmin->SystemInfo. As always, be sure to run RDAdmin immediately after upgrading to allow any necessary changes to the database schema to be applied. *** snip snip *** Further information, screenshots and download links are available at: http://www.rivendellaudio.org <http://www.rivendellaudio.org/> Third time’s the charm! (we hope). :) Cheers! |----------------------------------------------------------------------| | Frederick F. Gleason, Jr. | Chief Developer | | | Paravel Systems | |----------------------------------------------------------------------| | There's never time to do it right, but there's always time | | to do it over. | | -- Meskimen's Law | |----------------------------------------------------------------------|

7 years

NIME 2018 2nd call for submissions

by Ivica Ico Bukvic

NIME 2018 Call for submissions Please pardon the cross-posting, *A friendly reminder of the upcoming submission deadline January 20th, 2018, for the NIME 2018 conference. The paper templates and all other supporting information is available on the website (**NIME2018.ORG <http://nime2018.org>). We sincerely look forward to your submissions. In the meantime, should you have any questions, please do not hesitate to contact us. ***On behalf of the entire committee I wish you all a happy New Year.** NIME (New Interfaces for Musical Expression) is the premier conference in human-machine interfaces and interactions for musical performance. NIME is a gathering of researchers, designers, musicians, who come together to share knowledge, perform music, and build community through research presentations, concerts, installations, and workshops. On behalf of the 2018 NIME Committee I am pleased to announce that the NIME 2018 "Mirrored Resonances" Conference call for submissions is now officially open! Co-organized between Virginia Tech and the University of Virginia, the conference will take place June 3-6, 2018 in Blacksburg, Virginia. We welcome submissions of papers, posters, panels, musical performances, installations, demos, and workshops, particularly those that may respond to the overarching conference theme of “Mirrored Resonances” and its thematic areas in any of the many ways they might be interpreted. Likewise, we encourage potential participants to consider exploring the unique Virginia Tech facilities, including the Institute for Creativity, Arts, and Technology’s Cube with a massive high density loudspeaker array. The deadline for the *double-blind peer reviewed submissions*, including papers, panels, demo papers, music, and installations is January 20th, 2018. Submissions created by January 20th will continue to be editable until January 27th when the submission process will close. Demos without paper and workshops will be *curated *and have an extended submission deadline until March 1st, 2018. In addition to the NIME and academic communities, we also invite industry, as well as non-academic creatives to consider participating in the aforesaid categories. For a complete list of important dates visit the Participate <http://nime2018.icat.vt.edu/Participation/#dates> page. We are excited to announce that the conference will feature four keynote artists: *Onyx Ashanti** **Benjamin Knapp** **Ikue Mori** **Pamela Z* If interested in sponsorship opportunities please do not hesitate to contact us <mailto:conference-chairs@nime2018.org?Subject=NIME%202018%20Sponsorship> On behalf of the entire NIME 2018 Committee, we look forward to welcoming you in Virginia next June! Go to the website <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-r/> NIME2018.ORG <http://nime2018.org> Facebook <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-y/> Twitter <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-j/> Instagram <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-t/> Website <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-i/> Moss Arts Center 190 Alumni Mall Blacksburg, VA 24060 Like <http://virginiatech.cmail19.com/t/j-fb-otlirdl-ydiykltyik-d/> Tweet <http://virginiatech.cmail19.com/t/j-tw-otlirdl-ydiykltyik-h/> Share <http://virginiatech.cmail19.com/t/j-li-otlirdl-ydiykltyik-p/> Forward <http://virginiatech.forwardtomyfriend.com/j-ydiykltyik-61B1A90A-otlirdl-l-x>

7 years

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