Linux-audio-announce

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3 participants
3209 discussions

by Hermann Meyer

Guitarix release 0.36.1 Guitarix is a tube amplifier simulation for jack (Linux), with an additional mono and a stereo effect rack. Guitarix includes a large list of LV2 and LADSPA plugins, and support LADSPA / LV2 plugs as well in it's racks. The guitarix engine is designed for LIVE usage, and feature ultra fast, glitch and click free preset switching and is full Midi and remote controllable (the Web UI is not included in the distributed tar ball). With this release guitarix switch to use faust 0.9.90 to generate the plugins from the faust sources. changelog: * switch to use faust 0.9.90 * fix constant midi toggle change on preset load * add set midi switch to load next preset * add set midi switch to load previous preset * fix midi value change triggered double ( fix Preset Pick Mode) * add mono and stereo vumeter (with clip indicator) plugin * add option to make tuner sticky on top of the Rack * improved tooltips for Lv2 and Ladspa plugs * some fixes on the DK_simulator contributed by Yoann Le BORGNE Refer to our project page for more information: http://guitarix.org Download Site: http://sourceforge.net/projects/guitarix/ Forum: https://guitarix.sourceforge.io/forum/ Consider visiting our forum or leaving a message on guitarix-developer(a)lists.sourceforge.net regards hermann

8 years

gst123-0.3.4

by Stefan Westerfeld

gst123-0.3.5 has been released. Overview of changes in gst123-0.3.5: ------------------------------------ * Support faster/slower playback [David Fries]. * Better status bar notification (on the same line as time). * Minor bugfixes. What is gst123? --------------- The program gst123 is designed to be a more flexible command line player in the spirit of ogg123 and mpg123, based on gstreamer. It plays all file formats gstreamer supports, so if you have a music collection which contains different file formats, like flac, ogg and mp3, you can use gst123 to play all your music files. All video file formats gstreamer can play are also available. It is implemented in C++ and licensed under the GNU LGPL version 2 Links: ------ Website: http://space.twc.de/~stefan/gst123.php Download: http://space.twc.de/~stefan/gst123/gst123-0.3.5.tar.bz2 -- Stefan Westerfeld, Hamburg/Germany, http://space.twc.de/~stefan

8 years

[ANN] Radium 5.3.0

by Kjetil Matheussen

Radium is a vertical music editor. Radium is inspired by trackers, but uses more graphics to show musical data. Radium also supports MIDI sequencing and hard disk recording. Radium has features like smooth scrolling, zooming, automation, piano roll, embedded Pure Data (Pd), and embedded Faust. * Homepage: http://users.notam02.no/~kjetism/radium/ * Screenshot: http://users.notam02.no/~kjetism/radium/pictures/radium_4_9_20.png * Videos: http://www.youtube.com/user/KjetilMatheussen/videos * Demonstration video by Tobias Lutzenkirchen showing some of the features: https://www.youtube.com/watch?v=FhwmT0G5EwM (Radium 3.9.1) *Demonstration video showing developing Faust programs inside Radium: https://www.youtube.com/watch?v=LJm9Lox1WFA Changes between 5.0.10 and 5.3.0: * Lots of bug fixes and minor improvements. * GUI: A new table to edit common things in all blocks. * GUI: A new table to edit common things in all instruments. * Audio: Parameters can be modulated. Support for Sine LFO, Triangle LFO, Square LFO, Saw LFO, Inverted Saw LFO, and audio envelope-follower. * Four new demo songs. * Sequencer: Left and right handles to stretch blocks. * Edit: Functions to Randomize note positions and durations. * Edit: Functions to modulo-move notes. * Edit: Functions to shuffle pitch values. * Editor: Conventional horizontal slider. * 124 other changes. (247 git commits)

8 years, 1 month

Sonoj Convention 2017 Media Follow-Up

by info＠sonoj.org

Dear All, The Sonoj Convention 2017 is now over. I can't believe it all just worked out like this; "Call, and they shall come." The video recordings are here: https://media.ccc.de/c/sonoj2017 Or mirrored on youtube: https://www.youtube.com/channel/UCRETFHZgyoUMyUxz3k9lrZA/videos The musical results of our challenge (make a one minute track integrating a telephone ring sample) are either on archive.org as individual tracks: https://archive.org/details/Sonoj2017CompositionChallenge or you can download them all at once. License CC-By-SA: https://www.sonoj.org/sonoj2017challenge.tar.gz Yours, Nils, for the Sonoj Convention

8 years, 1 month

ICAD 2018 Call for Paper

by Myounghoon Jeon

*ICAD 2018* The 24th International Conference on Auditory Display (ICAD 2018) Michigan Technological University, Houghton, MI, USA, June 10-15, 2018 CALL FOR PAPERS, EXTENDED ABSTRACTS, WORKSHOPS/TUTORIALS, SONIFICATIONS, INSTALLATIONS, AND DEMONSTRATIONS Please check the conference website for updates: *http://icad2018.icad.org/ <http://icad2018.icad.org/>* *Theme: Sonification as ADSR* Auditory researchers are familiar with “ADSR” (Attack-Decay-Sustain-Release), which are basic components of sound. In ICAD 2018, we want to (1) not only go back to the basics but also (2) explore and integrate various potentials of auditory displays and sonification as Art-Design-Science-Research (ADSR). Under this conference theme, we will value and embrace all types of submissions, including papers, extended abstracts, multimedia (videos/audios), concert pieces, demos and installations. ICAD is a highly interdisciplinary academic conference with relevance to researchers, practitioners, musicians, and students interested in the design of sounds to support tasks, improve performance, guide decisions, augment awareness, and enhance experiences. It is unique in its singular focus on auditory displays and the array of perception, technology, and application areas that this encompasses. Like its predecessors, ICAD 2018 will be a single-track conference, open to all, with no membership or affiliation requirements. ICAD 2018, the 24th International Conference on Auditory Display, will be held at Michigan Tech, June 10 to 15, 2018. The conference venues are the Colleges of Arts and Architecture and Information Sciences and Technology. The graduate student ThinkTank (doctoral consortium) will be on Sunday, June 10, before the main conference. *Submission Dates* - Papers February 16th 2018 (Fri) - Extended Abstracts March 23rd 2018 (Fri) - Workshop/tutorial March 9th 2018 (Fri) - ThinkTank March 23rd 2018 (Fri) - Sonification Concert March 23rd 2018 (Fri) - Installations March 23rd 2018 (Fri) *Topics* Topics of interest include (but are not limited to): * Art & Design* - Music composition inspired by data/interactive-sonification - Integrative arts including sonification - Performing arts including sonification - Culture-specific sonification - Speculative, aspirational, and prototype designs - Aesthetics of auditory displays and sonification - Sonic information design paradigm, theory, and taxonomy - Design examples, case studies, and real-world applications - Design methods, processes, tools, and techniques - Users, experiences, and contexts of using sonification * Science & Research* - Design of new a sensor, device, or platform for auditory displays & sonification - Methods and processes - Participatory design approaches - Auditory user interfaces - Psychology, cognition, perception and psychoacoustics - Computational/algorithmic approaches· - Accessibility and assistive technologies - Human Factors, Ergonomics and Usability - Computational/algorithmic approaches - Spatial/3D sound - Sound scape, auditory scene analysis - Sonification in Health and Environmental Data (soniHED) - Sonification in the Internet of things, big data, & cybersecurity - Sonification in automated vehicles *Workshops/Tutorials* ICAD workshops and tutorials provide in-depth opportunities for conference attendees to discuss and explore important aspects of the field of auditory display with like-minded researchers and practitioners. Sessions can range from applications and programming methodologies to interdisciplinary research skills, emerging research areas, and challenging problems. *Organizing Committee* - General Chair: Myounghoon Jeon (Philart) - Paper Co-Chairs: Areti Andreopoulou, Steven Landry, & Jaclyn Barnes - Music/Concert Chair: Christopher Plummer - Workshop Chair: Derek Brock - ThinkTank Chair: Hiroko Terasawa - Installations Chair: Josh Loar - Communications Chair: Nicole Kelly - Advisory Board Chair: Matti Gröhn -- ************************************************ Myounghoon "Philart" Jeon, Ph.D. Associate Professor *Mind Music Machine Lab <http://trim.mtu.edu/>* *Center for Human-Centered Computing <http://icc.mtu.edu/hcc/>@ICC <http://icc.mtu.edu/>* Department of Cognitive and Learning Sciences Department of Computer Science *Michigan Tech*nological University Meese 205, Rekhi 202, 1400 Townsend Drive Houghton, MI 49931 (906) 487-3273 mjeon(a)mtu.edu

8 years, 1 month

Fwd: [LAU] First International Faust Conference (IFC-18) - Call for Papers

by Albert Graef

Dear all, It is my pleasure to announce the First International Faust Conference (IFC-18)! We look forward to see you in Mainz this summer. Cheers, Romain Michon CCRMA, Stanford University [Apologies for cross posting, please circulate widely.] 1st International Faust Conference - Johannes Gutenberg University, Mainz (Germany), July 17-18, 2018 The International Faust Conference (IFC-18: http://www.ifc18.uni-mainz.de) will take place at the Johannes Gutenberg University <http://www.uni-mainz.de/> of Mainz (Germany) on July 17-18, 2018. It aims at gathering developers and users of the Faust programming language <http://faust.grame.fr/> to present current projects and discuss future directions for Faust and its community. Participants will be able to share their work through paper presentations. A series of round tables on various topics will serve as a platform to brainstorm on Faust's features, semantics, tools, applications, etc. to determine future directions for this language. Open spaces for demos and workshops will be available for participants to openly share their ongoing projects with the rest of the community. As a special event, the winner of GRAME's Faust Open-Source Software Competition will be announced during IFC-18. IFC-18 is free and everyone is welcome to attend! *Call for Papers* We welcome submissions from academic, professional, independent programmers, artists, etc. We solicit original papers centered around the Faust programming language <http://faust.grame.fr/> in the following categories: - Original research - Technology tutorial - Artistic project report (e.g., installation, composition, etc.) Paper should be up to 14 pages in length, non anonymous, and formatted according to this template <http://www.ifc18.uni-mainz.de/misc/IFC-18-templates.zip>. *Submissions should be carried out via our EasyChair portal <https://easychair.org/conferences/?conf=ifc18>*. All submissions are subject to peer review. Acceptance may be conditional upon changes being made to the paper as directed by reviewers. Accepted papers will be published on-line as well as in the IFC-18 proceedings paper version. They will be presented by their author(s) at IFC-18 as 15 minutes presentations (+ 5 minutes for questions). Feel free to contact us if you have any question. *Important Dates* - Papers submission deadline: March 2, 2018 - Notification of Acceptance: May 1, 2018 - Camera-Ready Version: June 1, 2018 *Call for Round Table Topics* A series of round tables on the following themes will take place both afternoons of IFC-18: - Faust Tools (e.g., Architectures, IDE, Faust Code Generator, On-Line Services, etc.) - DSP in Faust and Faust Libraries (e.g., New Algorithms, New Libraries, Missing Functions, etc.) - Faust Compiler and Semantics - Other Topics/Open Session We solicit topic suggestions from the Faust community for each of these themes. Topics can be submitted by means of this Google form <https://goo.gl/forms/0fBYxk28jlRdtqRM2>. They will be introduced during the round tables by the session chair. *Contact* Please, address your questions to: ifc18(a)muwiinfa.geschichte.uni-mainz.de Conference website: http://www.ifc18.uni-mainz.de -- Dr. Albert Gr"af Computer Music Research Group, JGU Mainz, Germany Email: aggraef(a)gmail.com WWW: https://plus.google.com/+AlbertGraef

8 years, 1 month

Sonoj Convention Video Livestream URL

by Sonoj Convention

Hello Lists, Tomorrow and the day after is the Sonoj Convention! You can watch the live video stream when it starts 10:40 CET and see all the talks! https://streaming.media.ccc.de/sonoj2017 Please share that link in all the forums and social media where you think it is appropriate. For more information and a schedule please see https://www.sonoj.org Nils for the Sonoj Convention

8 years, 1 month

NIME 2018 call for submissions

by Ivica Ico Bukvic

NIME 2018 Call for submissions Please pardon the cross-posting, NIME (New Interfaces for Musical Expression) is the premier conference in human-machine interfaces and interactions for musical performance. NIME is a gathering of researchers, designers, musicians, who come together to share knowledge, perform music, and build community through research presentations, concerts, installations, and workshops. On behalf of the 2018 NIME Committee I am pleased to announce that the NIME 2018 "Mirrored Resonances" Conference call for submissions is now officially open! Co-organized between Virginia Tech and the University of Virginia, the conference will take place June 3-6, 2018 in Blacksburg, Virginia. We welcome submissions of papers, posters, panels, musical performances, installations, demos, and workshops, particularly those that may respond to the overarching conference theme of “Mirrored Resonances” and its thematic areas in any of the many ways they might be interpreted. Likewise, we encourage potential participants to consider exploring the unique Virginia Tech facilities, including the Institute for Creativity, Arts, and Technology’s Cube with a massive high density loudspeaker array. The deadline for the *double-blind peer reviewed submissions*, including papers, panels, demo papers, music, and installations is January 20th, 2018. Submissions created by January 20th will continue to be editable until January 27th when the submission process will close. Demos without paper and workshops will be *curated *and have an extended submission deadline until March 1st, 2018. In addition to the NIME and academic communities, we also invite industry, as well as non-academic creatives to consider participating in the aforesaid categories. For a complete list of important dates visit the Participate <http://nime2018.icat.vt.edu/Participation/#dates> page. We are excited to announce that the conference will feature four keynote artists: *Onyx Ashanti** **Benjamin Knapp** **Ikue Mori** **Pamela Z* If interested in sponsorship opportunities please do not hesitate to contact us <mailto:conference-chairs@nime2018.org?Subject=NIME%202018%20Sponsorship> On behalf of the entire NIME 2018 Committee, we look forward to welcoming you in Virginia next June! Go to the website <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-r/> NIME2018.ORG <http://nime2018.org> Facebook <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-y/> Twitter <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-j/> Instagram <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-t/> Website <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-i/> Moss Arts Center 190 Alumni Mall Blacksburg, VA 24060 Like <http://virginiatech.cmail19.com/t/j-fb-otlirdl-ydiykltyik-d/> Tweet <http://virginiatech.cmail19.com/t/j-tw-otlirdl-ydiykltyik-h/> Share <http://virginiatech.cmail19.com/t/j-li-otlirdl-ydiykltyik-p/> Forward <http://virginiatech.forwardtomyfriend.com/j-ydiykltyik-61B1A90A-otlirdl-l-x>

8 years, 1 month

Vee One Suite 0.8.5 - An Autumn'17 release

by Rui Nuno Capela

Howdy! The 'Vee One Suite' of so called 'old-school' software instruments, synthv1 [1] as a polyphonic subtractive synthesizer, samplv1 [2] a polyphonic sampler synthesizer, drumkv1 [3] as yet another drum-kit sampler and padthv1 [4] as a polyphonic additive synthesizer, are here released for the seasonal greetings. All still available in dual form: - a pure stand-alone JACK client with JACK-session [5], NSM (Non Session management [6]) and both JACK MIDI and ALSA MIDI [7] input support; - a LV2 instrument plug-in [8]. The common change-log for this Fall goes like this: - Sample files are now saved as symlinks when saving to JACK and/or NSM session directories/folders (applies to samplv1 [2] and drumkv1 [3] only). - Opening multiple preset files is now possible, populating the preset drop-down listing, while only the first one is loaded effectively into the scene as usual. - Mono(phonic) "Legato" mode option introduced. - Desktop entry specification file is now finally independent from all build/configure template chains, whatever. - Updated target path for freedesktop.org's AppStream metainfo file (formerly AppData). And now, in reverse order of appearance: **padthv1 - an old-school polyphonic additive synthesizer [4]** padthv1 0.8.5 (autumn'17) released! padthv1 is an old-school polyphonic additive synthesizer with stereo fx padthv1 is based on the PADsynth algorithm by Paul Nasca, as a special variant of additive synthesis. LV2 URI: http://padthv1.sourceforge.net/lv2 website: http://padthv1.sourceforge.net https://padthv1.sourceforge.io downloads: http://sourceforge.net/projects/padthv1/files - source tarball: http://download.sf.net/padthv1/padthv1-0.8.5.tar.gz - source package: http://download.sf.net/padthv1/padthv1-0.8.5-2.rncbc.suse.src.rpm - binary packages (openSUSE Tumbleweed): http://download.sf.net/padthv1/padthv1-0.8.5-2.rncbc.suse.i586.rpm http://download.sf.net/padthv1/padthv1-0.8.5-2.rncbc.suse.x86_84.rpm - AppImage packages (JACK stand-alone only): http://download.sf.net/padthv1/padthv1-0.8.5-2.x86_64.AppImage git repos: http://git.code.sf.net/p/padthv1/code https://github.com/rncbc/padthv1.git https://gitlab.com/rncbc/padthv1.git https://bitbucket.org/rncbc/padthv1.git **drumkv1 - an old-school drum-kit sampler [3]** drumkv1 0.8.5 (autumn'17) released! drumkv1 is an old-school drum-kit sampler synthesizer with stereo fx. LV2 URI: http://drumkv1.sourceforge.net/lv2 website: http://drumkv1.sourceforge.net https://drumkv1.sourceforge.io downloads: http://sourceforge.net/projects/drumkv1/files - source tarball: http://download.sf.net/drumkv1/drumkv1-0.8.5.tar.gz - source package: http://download.sf.net/drumkv1/drumkv1-0.8.5-31.rncbc.suse.src.rpm - binary packages (openSUSE Tumbleweed): http://download.sf.net/drumkv1/drumkv1-0.8.5-31.rncbc.suse.i586.rpm http://download.sf.net/drumkv1/drumkv1-0.8.5-31.rncbc.suse.x86_84.rpm - AppImage packages (JACK stand-alone only): http://download.sf.net/drumkv1/drumkv1-0.8.5-2.x86_64.AppImage git repos: http://git.code.sf.net/p/drumkv1/code https://github.com/rncbc/drumkv1.git https://gitlab.com/rncbc/drumkv1.git https://bitbucket.org/rncbc/drumkv1.git **samplv1 - an old-school polyphonic sampler [2]** samplv1 0.8.5 (autumn'17) released! samplv1 is an old-school polyphonic sampler synthesizer with stereo fx. LV2 URI: http://samplv1.sourceforge.net/lv2 website: http://samplv1.sourceforge.net https://samplv1.sourceforge.io downloads: http://sourceforge.net/projects/samplv1/files - source tarball: http://download.sf.net/samplv1/samplv1-0.8.5.tar.gz - source package: http://download.sf.net/samplv1/samplv1-0.8.5-35.rncbc.suse.src.rpm - binary packages (openSUSE Tumbleweed): http://download.sf.net/samplv1/samplv1-0.8.5-35.rncbc.suse.i586.rpm http://download.sf.net/samplv1/samplv1-0.8.5-35.rncbc.suse.x86_84.rpm - AppImage packages (JACK stand-alone only): http://download.sf.net/samplv1/samplv1-0.8.5-2.x86_64.AppImage git repos: http://git.code.sf.net/p/samplv1/code https://github.com/rncbc/samplv1.git https://gitlab.com/rncbc/samplv1.git https://bitbucket.org/rncbc/samplv1.git **synthv1 - an old-school polyphonic synthesizer [1] ** synthv1 0.8.5 (autumn'17) released! synthv1 is an old-school all-digital 4-oscillator subtractive polyphonic synthesizer with stereo fx. LV2 URI: http://synthv1.sourceforge.net/lv2 website: http://synthv1.sourceforge.net https://synthv1.sourceforge.io downloads: http://sourceforge.net/projects/synthv1/files - source tarball: http://download.sf.net/synthv1/synthv1-0.8.5.tar.gz - source package: http://download.sf.net/synthv1/synthv1-0.8.5-35.rncbc.suse.src.rpm - binary packages (openSUSE Tumbleweed): http://download.sf.net/synthv1/synthv1-0.8.5-35.rncbc.suse.i586.rpm http://download.sf.net/synthv1/synthv1-0.8.5-35.rncbc.suse.x86_84.rpm - AppImage packages (JACK stand-alone only): http://download.sf.net/synthv1/synthv1-0.8.5-2.x86_64.AppImage git repos: http://git.code.sf.net/p/synthv1/code https://github.com/rncbc/synthv1.git https://gitlab.com/rncbc/synthv1.git https://bitbucket.org/rncbc/synthv1.git Licence: The 'Vee One Suite' are free, open-source Linux Audio [10] software, distributed under the terms of the GNU General Public License (GPL) [9] version 2 or later. References: [1] synthv1 - an old-school polyphonic synthesizer http://synthv1.sourceforge.net/ [2] samplv1 - an old-school polyphonic sampler http://samplv1.sourceforge.net/ [3] drumkv1 - an old-school drum-kit sampler http://drumkv1.sourceforge.net/ [4] padthv1 - an old-school polyphonic additive synthesizer http://padthv1.sourceforge.net/ [5] JACK Audio Connection Kit http://jackaudio.org/ [6] NSM, Non Session Management http://non.tuxfamily.org/nsm/ [7] ALSA, Advanced Linux Sound Architecture http://www.alsa-project.org/ [8] LV2, Audio Plugin Standard, the extensible successor of LADSPA http://lv2plug.in/ [9] GNU General Public License http://www.gnu.org/copyleft/gpl.html [10] Linux Audio consortium of libre software for audio-related work http://linuxaudio.org See also: http://www.rncbc.org/drupal/node/1864 Enjoy && have fun ;) -- rncbc aka. Rui Nuno Capela

8 years, 1 month

The Sonoj/Open Source Musician Podcast Lightning Tunestorm Challenge!

by Spencer Jackson

Greetings Musicians! We challenge each and all of you to join in our musical “tunestorm” challenge on November 5th in collaboration with the Sonoj Convention. At the convention participants will be given an audio sample that must be incorporated into an original musical piece in 1 hour! We are offering this same challenge worldwide for participating remotely. The sample will also be posted online and a submission form made available during the same hour the challenge is issued at the convention. Highlights from the submissions will be played in the following episode of the Open Source Musician ( http://opensourcemusician.com). Naturally, with the theme of sonoj and OSMP we require that you use at least 1 piece of open source software in the production. See https://sonoj.org/podcast/ for additional information. Please spread the word and participate! _Spencer

8 years, 1 month

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