drew Roberts wrote:
> On Thursday 12 February 2009 05:14:23 david wrote:
>>> So do I, and I usually also prefer real percussion over
>>> its synthesised version.
>> I always prefer real percussion over synthesized. Humans don't usually
>> play music in rigid lock-step tempos, but with subtle changes as they go
>> along that help produce the total effect of the music.
>
>
> Ah but is synthesized drum sounds played by a human real or synthesized
> percussion?
>
> 1. Synthesized drum sounds played by a machine.
>
> 2. Sampled drum sounds played by a machine.
>
> 3. Synthesized drum sounds played by a human.
>
> 4. Sampled drum sounds played by a human.
>
> 5. Actual drum played by human.
>
> Are any other than 5 properly considered real percussion?
I consider #5 the only real percussion. ;-)
--
David
gnome(a)hawaii.rr.com
authenticity, honesty, community
Interesting
I live in Melbourne too. May have to check it out.. Hopefully they may have some
Jazz there during the International Jazz Festival this year.
On Fri Feb 13 15:17 , Norval Watson sent:
>
>My parents live there and love chamber music so I might get to see/hear it with
them one day.
>
>
>
>
>
>>That's amazing. I live in Melbourne too, must go see a concert there.
>
>>Norval Watson wrote:
>>>http://www.abc.net.au/catalyst/stories/2488923.htm
>
>
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>)
Hello,
I am helping a friend to mix an orchestral piece using Ardour. To add depth to
the different instruments, we have created three buses, each with a TAP
Reverberator with the same settings (Hall HD type) excepted the dry/wet ratio.
The different instruments are panned according to a common orchestral layout.
This works, but I feel that both the depth and the stereo positioning could be
improved. Indeed, the Hall HD reverb settings has fixed early reflections
patterns while the different instruments should have different ones according to
their physical positions.
I was wondering if any of you knows about some ways to improve this. As a
solution, I am thinking about writing a software to compute the early
reflections patterns of an instrument given its 2D position in the orchestra.
In this case, do you have suggestions of how many early reflections I should
use (left/right walls + back for left/right walls?). Does the allpass filter
settings depend on the position of the instrument/walls?
My feeling is that the reverb GUI should include stereo panning as well in
order to launch rays from the correct 2D positions.
What do you think about such idea? Would someone be interested to contribute
to such project?
Thank you, kind regards,
Stéphane
--
http://stephane.magnenat.net
Hi,
I have a dumb question on LADSPA.
Can I use LADSPA to implement the following processing plugins?
Bass Boost
Stereo Widening
Virtual 5.1 Surrounding
I asked this because I've got some audio post-processing
requirement in my design I'd like to see if I can
leverage the LADSPA to do that?
Thank you in advance.
Regards.
Long
--
Things don' happen. Things are made to happen.
Has anyone done this? An evenly spaced set of Linux systems that
communicate over wireless and provide a simultaneous wavefront.
(Context: a late night OLPC XO flashing party at a cold warehouse wants
some entertainment while they work. We realise the built-in speakers
don't move much air mass when they oscillate, ultra-lame, but we can
add more systems.)
What tools exist to synchronise the audio outputs of several different
kernels? They all have the same audio hardware, if that helps.
--
James Cameron mailto:quozl@us.netrek.org http://quozl.netrek.org/
Hi!
Can anybody confirm, RME HDSP 9632 (with current alsa driver, hdspconf and
hdspmixer) *does* work in slave mode with getting sync clock via SPDIF input
(both coaxial and optical)? Are there any demands to such sync signal? Is
silent spdif stream sufficient?
Thanks!
Andrew
We are glad to announce the release of the chdh dvd:
vivarium
---
video / data dvd by chdh
arcadi / artkillart
AKA 04 – 2008
vivarium is a work based on a symbiosis between sound and image where chdh creates a single, cold but organic universe. Each video track of vivarium is composed around a single audiovisual instrument, evolving from passivity to life, instability and mutation, in a slow and hypnotic time.
This double side dvd contains:
- side 1 for dvd player containing the video pieces.
- side 2 for computer containing infos, better quality videos and software used and developed for this project.
vivarium is now available for sale and free download.
more infos :
http://www.chdh.nethttp://www.chdh.net/vivarium
buy the DVD : http://www.artkillart.tk
download the data dvd layer via bittorrent:
http://www.chdh.net/data/vivarium_data.iso.torrent
vivarium was made using free tools : linux / Pure-data / open time line / ffmpeg ...
cyrille henry et nicolas montgermont
I am about to get a new Thinkpad, and I'm wondering if, aside from
price, there's any reason not to get a solid state drive. I was
thinking it would be especially good for Ardour sessions with lots of
small bits of audio. Does anyone have any experience (positive or
negative) with solid state drives and audio on Debian Sid?
Renick
--
Renick Bell
http://the3rd2nd.com