Hi
I'm thinking of picking up a Phonic Helix Board 12 FireWire MKII (soundcard mixer combo)
Has anyone used this on linux with ffado and jack succesfully?
If so, are there any limitations on linux and what sort of performance did you see?
(latency vs load)
(the ffado site lists it as "reported to work" but no specifics and it's not listed as supported)
Also, I have a Ricoh R5C832 firewire chip in my inspiron 9400. I've heard Ricoh chips are
problematic so can anyone recommend a suitable expresscard firewire interface?
cheers,
pete.
Folks,
I'm a little bit confused. I have some 24-bit files that i downloaded. These
files are reported by 'file' as FLAC audio bitstream data, 24 bit, 6 channels,
48 kHz, 18273600 samples
I was able to play one of them at one time, a few days ago and now i am not. I
hate it when people say "i don't know what changed" but i don't. All i get is
hiss in the left channel from my stereo. I can play other 24-bit file fine,
even 96khz tracks.
I've tried mplayer, xine, and phonon (using xine)
Any ideas?
I am using my on-board intel hd audio. My asound.conf is as follows:
cat /etc/asound.conf
pcm.dmixer {
type dmix
ipc_key 1024
ipc_key_add_uid false
ipc_perm 0660
slave {
pcm "hw:0"
rate 96000
format "S32_LE"
period_time 0
period_size 1024
buffer_time 0
buffer_size 8192
#was 5120
}
}
pcm.pulse {
type pulse
}
ctl.pulse {
type pulse
}
--
Bearcat M. Şandor
Bearcat(a)feline-soul.net
Jabber: bearcat(a)feline-soul.net
MSN: bearcatsandor(a)hotmail.com
Yahoo: bearcatsandor
AIM: bearcatmsandor
Hello to all,
I play bouzouki and guitar and most of my music repertoire is in (Eastern
European) uneven time signatures (5/8, 7/8, 9/8 etc).
I was trying to write Guitar/Bouzouki tablature/notation of this music on
Linux in the past but without much success.
The main (hidden) problem with these rhythms is the grouping of notes, i.e.
5/8 can be 2+3/8 or 3+2/8,
7/8 is 2+2+3/8 or 3+2+2/8 etc...
Thus the grouping of the notes needs to reflect this fact as it is essential
for the performer.
My experience so far:
Songwite, Gnometab and Kguitar don't support this feature.
Lilypond - great for output, covers almost all needs, but grouping has to be
done bar-by-bar which is really time consuming. Chords are not supported
well for now (name and display)
TuxGuitar is amazingly easy for note input, but it doesn't support note
grouping as well. I requested this feature on their forum some time ago but
no response from the developers so far
Exporting Tuxguitar to Lilypond is what I use at moment, but for a longer
instrumentals in 9/8 with say, two bouzoukia, it takes days to edit/produce
a clear tablature/notation.
Any suggestions on this will be greatly appreciated.
Viktor
Hi
I have some trouble with jack, that I'm hoping someone here could help
me with. First a bit about my system: It's a laptop running ubuntu 8.04
on a 2.6.24-23-rt kernel. I use an edirol ua-1a usb soundcard, since the
buildin HDA soundcard seems to be total crap.
Sometimes my jack (started with qjackctl) is "messed up" by a client,
often caused by some kind of high load, either on cpu or loading large
stuff. This happens both with my DAW (eXT2) and chuck (which is what I'm
trying to fix the problem for right now). Is sounds like some kind of
sync with the soundcard is messed up (how evert that sounds like), the
sound is distorted in a very charasteristic way, with lots of crackling.
The problem persists until I restart jack, then everything is fine again.
If this could be fixed somehow, the hotfixes in the rest of the post are
irrellevant, or only of general interrest.
Now I figured I start jack from the commandline (something I never did
before) on every song, to emulate the "restart jack" strategy mentioned
above. I looked in ~/.jackdrc and found:
/usr/bin/jackd -R -P80 -dalsa -dhw:1 -r44100 -p512 -n3 -s -S
I I run that command, jack is started just fine. However sometimes it
dies like this:
subgraph starting at ChucK timed out (subgraph_wait_fd=7, status = 0,
state = Running)
It might be something I do wrong in my chuck code, but it's random
places (always on a down beat) and never happens when jack is started
from qjackctl. What does the above errormessage mean, and can this
information be used to start jack differently to avoid the problem?
Notes:
1( I played around with stuff after writing the above and it seems that
jack can also crackle when started from the commandline.
2) I also tried to kill X and run from a terminal, same problem.
3) The problem seems to be related to the cpu load. If the load is over
80, the problem is almost always there, if lower than 60 it's sometimes
there.
4) The problem (crackling noise) is also there with the buildin HDA intel.
5) I also booted my debian stable on another partition, same problem.
It seems to me that it all boils down to jack. Possibly it could
(should?) get a better soundcard (Behringer FCA202 firewire seems to
work with linux), but would this really solve anything?
Any input appreciated!
--
Atte
http://atte.dkhttp://modlys.dk
Dear Mr. Gawlas,
We need to get in contact with you concerning the
LAC2009 concerts, but the e-mail address you provided
on the submission form seems to fail:
gawl(a)oz.pl
SMTP error from remote mailer after RCPT TO:<gawl(a)oz.pl>:
host mailhost.oz.pl [78.47.134.33]: 554 5.7.1 <gawl(a)oz.pl>:
Relay access denied
Can you please provide an alternative e-mail address ?
Many thanks,
--
Fons Adriaensen
LAC2009
Hi list
After switching to 64Studio alpha 3 I have a problem, when I make a new
track in Ardour 2.7.1 and rename the track to whatever i need, the new
name is not being showed in JackControl with the renamed name but as
"Audio X" and because of that I'm not able to route or disconnect any
signals to the track due to the name difference.
If I rename tracks, save the project shutdown Ardour and start it up again
it's all okay.
I must miss some settings but which ? I've paddled in and out menus
anywhere without finding something I could adjust to fix the issue.
Best regards
Sv-e
Hi,
You can find a demo version of Metsänpeitto by following this link and
clicking play-button in the player:
http://www.kolumbus.fi/sysimetsa/music.html
It was done entirely with 64 Studio (Ardour, Qsynth, ZynAddSubFx,
Hydrogen, Creox...) Some of the tracks were played with laptop keys
(while traveling in Africa), i have to re-play those some day.
More songs coming soon... Amazing how much fun one can get out of a
laptop, good bunch of Linux audio applications, echo soundcard, one
small mic, earphones and children's 1/8 guitar.
Tapani
linux-audio-user-request(a)lists.linuxaudio.org wrote:
Message: 27 Date: Wed, 11 Feb 2009 17:34:16 +0100 From: ben
<brouits(a)free.fr> Subject: Re: [LAU] NtEd To:
linux-audio-user(a)lists.linuxaudio.org Message-ID:
<4992FE08.3050704(a)free.fr> Content-Type: text/plain; charset=ISO-8859-1
Laura Conrad a ?crit :
>>>>>> >>>>>> "ethan" == ethan a young <ethan.y.us(a)gmail.com> writes:
>>>>>>
> >
> > ethan> What has other's experiences been so far with these new and
> > ethan> developing programs?
> >
> > I use lilypond and have used ABC in the past. You can use rosegarden
> > or musescore as a frontend to lilypond, but I haven't been very
> > successful doing it. I have an emacs program that takes MIDI keyboard
> > input and puts lilypond notes in the buffer, and I can use
> > point-and-click on the xpdf screen to get back to my emacs buffer.
> >
> > I don't claim that this is as easy to set up as a GUI would be, but
> > given all the options you want for a full-featured notation editor,
> > for me anything that works with emacs is easier to use than anything
> > that doesn't.
> >
>
>
> Following the thread, i admit i still do not have made my choice:
> i stared by using denemo with lilypond output, then switched to write
> lilypond or ABC with vim, and have recently given a try with nted. I
> noticed nted has a good midi-output, considering ornaments and other
> expression directives.
> - ben
i was really excited when i first discovered lilypond, but it's intimidating to get started in (hah, this coming from someone who abandoned windows and went fully to linux on a whim... :) regardless, i don't know how to make lilypond work to produce scores...i tried with the jEdit front-end, but that never worked well.
i haven't ruled out lilypond, but it seems like programmers are most comfortable using it, and i am no programmer...
i really like the fact that NtEd is truly WYSIWYG...even Encore was never this good, and i had to trust the printer output because the display was often corrupted comparatively. Finale looked good, but i am biased against Finale and similar programs -- tried it and it was really complicated and unintuitive for me. mouse clicks and button presses often did not do what i expected them to!
i never looked seriously at Rosegarden -- not to say it isn't a good program. i'm sure it is :) but i didn't want a full "music composition environment." by the time i enter music into the computer, it is fully composed in my head and/or on paper :). i suspect it is the same for many composers and musicians who spend most of their time off the computer, which is why i think a program like NtEd is so important.
i just want something that can make beautiful scores without much fuss or a steep learning curve, but with a powerful editor so i can publish and archive my compositions in a semi-professional manner.
what features is NtEd missing?
I put it in a similar category as Seq24: it's a simple tool, but it does what it's supposed to do very well. I think it is aimed at a different audience than RoseGarden, though.
Hello,
I am posting in favorable comment of the notation editor, NtEd. It has
a very straightforward and simple yet powerful interface. It seems very
well-designed, and has been much more stable than the alternatives on
both my Ubuntu and 64studio systems.
I come from a background with Windows Encore version 4.5, which I still
run through Wine. However, I would like to switch to to a native Linux
program. I've tried MuseScore, which seems powerful, but is complicated
and has remained buggy on my system, including crashes and several
compilation errors. Canorus seems promising, too, but does not seem to
be as far along or moving as fast in development as NtEd.
For the record, I am notating the following types of pieces:
1. four-part SATB
2. piano pieces
3. jazz lead sheets
4. small instrumental ensemble music
What has other's experiences been so far with these new and developing
programs?
Ethan