Perhaps not everyone has heard of Scala yet, here's the homepage:
http://www.xs4all.nl/~huygensf/scala
One remark: the Scala user interface may give the impression that
OSS is supported, but it isn't yet. It will take me some more time to
do that. But at least one can try the tunings with ZynAddSubFX now.
Manuel
Hello,
I've finally given up on cheap crap. I've come to realize that there is
a point where I'm probably not going to need to burn a CDrom at a speed
greater than 48x. I just don't care! Give me a 200 speed burner and I'll
take the 48x for $10 cheaper.
I've had an older HP burner finally die and I'm looking to replace it.
I'm looking or some expert advice in getting the best one (not the cheapest,
not the most features, but the best) CD Burner currently on the shelves of
stores that I can use with Linux. I only burn a handful of CD's in a week
but about 90% of the CD's I burn are audio CD's (not MP3's).
I need to meet the following requirements:
1) Decent speed. 48x-24x-48x is about the range I'm looking for. If there
is something faster than that I might take it.
2) Good Digital Audio Extraction speed. a 48x reader that extracts at 12x
is unreasonable.
3) Good interaction with CDparanoia. This means that the -S speed setting
should work (most drives ignore this)
4) No TOC skew. I doubt any recorder has TOC skew these days anyway.
5) Good interaction with CDRDAO to read-toc correctly and quickly with as
few errors as possible
6) Good interaction with CDRDAO to write correctly and quickly with as few
errors as possible. Burn-proof (or simlilar technology) is a must. CDRDAO
must be able to utilize the burn proof tech in the drive.
7) Lower price wouldn't hurt, but isn't a big deal.
If anyone can offer suggestions in the form of first hand experience, or
pointers to good sources of info I'd appreciate it.
FYI, If anyone is interested, I plan on doing the following:
Use cdparanoia to grab the entire CD as one big wav file.
Use cdrdao to make a TOC file from the CD.
Use cdrdao to burn a copy with the wav file and the TOC. This will
prevent any problems with silence between tracks on live albums and allow me
to have a copy that CDDB/FreeDB can recognize.
Write or find a simple shell script to take the .WAV file and .TOC and by
starting and stopping at different points pass it through LAME to encode
MP3's (one per track).
Delete the .WAV and TOC after I've copied or MP3 encoded it as many ways
as I see fit.
Greetings,
I was curious what compiler versions people have had the best luck with.
I am currently using: gcc version 2.96 20000731 (Red Hat Linux 7.3 2.96-113)
I am considering upgrading via RPM to what appears to be 3.2
(gcc-3.2-7.i386.rpm). Good idea? Bad Idea?
Thanks!
Levi
the saga continues....
i ended up deciding that upgrade install was probably conflicting, so i
formatted laptop and did a clean install of mandrake 9.0
sound now works first try, without having to compile modules....
but it sounds *really* weird...... all feedback-y noise....
does anyone have any idea what this might be? im using a usb-audio
quattro on a thinkpad 600E
thanx
m~
Hi all,
Another day.. another release :)
* fixed plugin stuff to work with 2.9x C++ symbols
* fixed fltk compile
* added an alsa-patch-bay.desktop
* fixed fltk segfault
http://pkl.net/~node/alsa-patch-bay.html
Bob
Hello, all! I hope everyone had a good holiday season. As for me, I was
busy moving into a new house (I'm a first-time homeowner, which is
scary), so I've not had a chance to do any more work on the library.
That will change now, however, as I now have my cable modem back, and a
new broadband router to boot. :) I can now set up my older AMD 750 as a
development server... Eventually.
So now, it's down to brass tacks.
I figured before I start to work in earnest on the technical aspects of
the OMRL, that a good subject to tackle would be the required licensing
of the content uploaded to the site. In reviewing this subject over
previous emails, here are the conclusions I came to:
1) Users should be free to download, use, and redistribute for no cost
any and all loops, samples/sample sets, and patches.
2) Users should be free to use any loops, samples, and patches in their
final musical works, regardless of whether that final work is free or
for-profit.
3) Users will *not* be free to download any loops, samples, and patches
(raw materials) to package up and sell on a for-profit basis.
Basically, you can use anything from the OMRL in your final product and
sell it (or give it away), but you cannot sell any of the content of
the OMRL itself, for example, selling a loop library CD containing
loops from the library.
Does this make sense to everyone? Would this be an acceptable solution
to the problem?
Thank you for all of your help and support.
Regards,
Darren Landrum
Hi everybody,
SpiralSynthModular 0.2.0 is now availible for you to play with, the
changes are much bigger than this little changelog suggests ;)
Audio engine rewritten to be multithreaded
Jack support via the JackPlugin
--Realtime commandline option (as root) runs ssm audio in SCHED_FIFO
LADSPA plugin much improved with built in GUI generator
App help added with Helptext for all of the plugins
One to many connections means the splitter plugin is now redundant
Numerous fixes, additions and GUI improvements
http://sourceforge.net/projects/spiralmodular/http://www.pawfal.org/Software/SSM/
Happy new year!
dave
Paul,
I've done a bunch of work over the last few days with a problem I was
experiencing using Rosegarden to play MIDI and then receive and record
the audio from external sound sources in Ardour.
First, yes, it really works, and actually works pretty nicely. Jack,
Ardour and Rosegarden are all playing nicely together.
However, I have found that:
1) There is a severe timing problem when using the HDSP MIDI interface
under Linux. Over time the HDSP 9652 just gets further and further
behind.
2) There is no problem with the HDSP MIDI interface under Windows.
3) Thee is no problem with the MidiMan 2x2 interface under Linux.
The problem seems to be pretty clearly the way the Linux stack is
using the HDSP 9652 MIDI interface. I'm guessing it's a driver problem,
but I don't want to color the perception.
I know it's a newer driver. How can we go about debugging this and
getting it fixed?
I can post mp3's of all these cases for people to hear if it is
desirable. I have lots more technical data to relate once we decide how
to go about solving the problem.
Thanks in advance! The fact that I have all this software working as
well as it is is a great accomplishment for me, and due to a lot of
great programmers out there like you guys!
Cheers,
Mark
Well, I figured out that the culprit to my xrun problem wasn't my 533mghz
processor, its my envy24 chipset based card, from the alsa wiki:
"Many but not all users complain about sound glitches. This may be due to
the cards being IRQ hungry. (VU meter interface?) -- Tobiah"
Given that the evil envy24 chip is in a lot of cards out there, I'm
wondering what cards people have had better results with?
http://www.brianredfern.org
Hi,
For a musical I've to remove the background choirs from a karaoke cd.
The CD sounds like it's MIDI, and it's some simple music. I hope I can
remove the choirs by overwriting them with other parts of the song that
have the same instrumental parts.
The problem is that I can't find a good editor to do so.
I need some multitrack capabilty, to lay all the different parts on
different tracks for easy editing.
I need some form of volume-envelope/automation for smooth fading of the
tracks (fade in/out plugins are not an option because I need to tweak
it and that's difficult with plugins that work on selections).
The obvious candidates like audacity and ardour don't work, because
audacity has no markers, so I can't find back the positions from where
I cut and ardour is too buggy to use.
I've looked at linuxsound.at for editors, but most are still too much
under development.
I hope someone here can give me a good hint on what editor can be used.
Perhaps I missed a feature in one editor that can help me? What editor
would you choose?
Thanks in advance,
Remco Poelstra