Linux-audio-announce

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ANN: pd-l2ork 20121019 stable candidate now available

by Ivica Ico Bukvic

Apologies for x-posting... It is my pleasure to announce latest version a.k.a. stable candidate of pd-l2ork. Having chased down a couple of lingering and extremely sporadic bugs, I am pleased to report that this latest version is our first "beta" release with the primary focus on ensuring 100% stable experience. The latest version also includes updates to the K12 module which now includes over 40 unique abstractions. As usual, for additional info as well as both 32-bit and 64-bit Linux builds please visit http://l2ork.music.vt.edu/main/?page_id=56 I would also like to use this opportunity to extend an invitation to community members who may be interested in helping us improve the documentation, as well as porting our efforts to other platforms to please contact me and/or consider joining our l2ork-dev mailing list that can be found at http://disis.music.vt.edu/cgi-bin/mailman/listinfo/l2ork-dev Best wishes, Ivica Ico Bukvic, D.M.A. Composition, Music Technology Director, DISIS Interactive Sound & Intermedia Studio Director, L2Ork Linux Laptop Orchestra Head, ICAT IMPACT Studio Virginia Tech Dept. of Music - 0240 Blacksburg, VA 24061 (540) 231-6139 (540) 231-5034 (fax) ico(a)vt.edu http://www.music.vt.edu/faculty/bukvic/

12 years, 2 months

Rivendell v2.2.1

by Fred Gleason

On behalf of the entire Rivendell development team, I'm pleased to announce the availability of Rivendell v2.2.1. Rivendell is a full-featured radio automation system targeted for use in professional broadcast environments. It is available under the GNU General Public License. From the NEWS file: *** snip snip *** Changes: RDMonitor Module. A persistent desktop applet has been added that continuously monitors the health of the system and alerts the operator in the event of any detected problems. See 'RDMONITOR.txt' for usage and configuration info. Sage Digital ENDEC Control. A 'sage_endec_rwt.sh' script has been added that allows a Required Weekly Test (RWT) to be executed on a Sage Digital ENDEC via TCP/IP. See 'SAGE_ENDEC.txt' for usage and configuration info. Cut Attribute Searching. The cart filter will now include the attributes of underlying cuts when searching the library. RDCheckCuts Utility. An rdcheckcuts(1) command-line utility has been added for checking the integrity of the audio store. Multiple bug fixes. See the ChangeLog for details. Database Update: This version of Rivendell uses database schema version 207, and will automatically upgrade any earlier versions. To see the current schema version prior to upgrade, see RDAdmin->SystemInfo. As always, be sure to run RDAdmin immediately after upgrading to allow any necessary changes to the database schema to be applied. *** snip snip *** Further information, screenshots and download links are available at: http://www.rivendellaudio.org/ Cheers! |-------------------------------------------------------------------------| | Frederick F. Gleason, Jr. | Chief Developer | | | Paravel Systems | |-------------------------------------------------------------------------| | “Computers are good at following instructions, | | but not at reading your mind.” | | – Donald Knuth | |-------------------------------------------------------------------------|

12 years, 2 months

MMA 12.10

by Bob van der Poel

A stable release, version 12.10, of MMA--Musical MIDI Accompaniment is available for downloading. In addition to a number of bug fixes and optimizations, MMA now features: - New voicing options. - Sequences in melody/solo tracks. - Many minor bug fixes and enhancements. Please read the file text/CHANGES-12 for a complete list of changes. MMA is a accompaniment generator -- it creates midi tracks for a soloist to perform with. User supplied files contain pattern selections, chords, and MMA directives. For full details please visit: http://www.mellowood.ca/mma/ If you have any questions or comments, please send them to: bob(a)mellowood.ca -- **** Listen to my CD at http://www.mellowood.ca/music/cedars **** Bob van der Poel ** Wynndel, British Columbia, CANADA ** EMAIL: bob(a)mellowood.ca WWW: http://www.mellowood.ca

12 years, 2 months

Guitarix release 0.24.2

by hermann meyer

This is a maintenance release of guitarix2 with some minor fixes. Guitarix is a mono tube amplifier simulation for jack, with additional mono/stereo effect racks which can be filled with some in-build effects as well as with external LADSPA plugins. Things that changed in this release: * sharedobject-in-library-directory-missing-soname usr/lib/dunwah.so * version mismatch in wscript Please refer to our project page for more information: http://guitarix.sourceforge.net/ download site: http://sourceforge.net/projects/guitarix/ have fun guitarix development team _______________________________________________

12 years, 2 months

LAC 2013: the Linux Audio Conference - Call for Participation

by Robin Gareus

sorry for >< please >> << We are happy to announce the next issue of the Linux Audio Conference (LAC), May 9-12, 2013 @ IEM, the Institute of Electronic Music and Acoustics, in Graz, Austria. The Linux Audio Conference is an international conference that brings together musicians, sound artists, software developers and researchers, working with Linux as an open, stable, professional platform for audio and media research and music production. LAC includes paper sessions, workshops, and a diverse program of electronic music. *Call for Papers, Workshops, Music and Installations* We invite submissions of papers addressing all areas of audio processing and media creation based on Linux. Papers can focus on technical, artistic and scientific issues and should target developers or users. In our call for music, we are looking for works that have been produced or composed entirely/mostly using Linux. The online submission of papers, workshops, music and installations is now open at http://lac.iem.at/ The Deadline for all submissions is February 4th, 2013 (23:59 HAST) You are invited to register for participation on our conference website. There you will find up-to-date instructions, as well as important information about dates, travel, lodging, and so on. This year's conference is hosted by IEM, Graz, in cooperation with local artists and FLOSS enthusiasts. The Institute of Electronic Music and Acoustics (IEM) at the University of Music and Performing Arts Graz is considered Austria's leading institution in computer music, acoustics and audio engineering and has gained international reputation for its research on spatial audio and its artistic production and research. IEM has been embracing Linux audio as a production and research environment since the mid-1990s, and has contributed to FLOSS/Linux projects, amongst others by providing drivers for multichannel audio interfaces and hosting the Pure Data community portal and mailing lists. http://iem.at/ We look forward to seeing you in Graz in May! Sincerely, The LAC 2013 Organizing Team

12 years, 2 months

Aeolus Jamb

by Hans Fugal

A tablet stop jamb for Aeolus. Control Aeolus' stop selection remotely using an Android tablet or iPad (or phones in a pinch but the fonts don't really work). https://github.com/fugalh/jamb

12 years, 3 months

Jalv 1.2.0

by David Robillard

Jalv 1.2.0 is out. Jalv is a simple but fully featured LV2 host for Jack. It runs LV2 plugins and exposes their ports as Jack ports, essentially making any LV2 plugin function as a Jack application. This release makes several improvements, upgrading is recommended. Download and more available at http://drobilla.net/software/jalv/ Changes: * Tune UI update rate and ring size based on JACK rate and MIDI buffer size to handle the handle the maximum message rate the plugin can send. * Support lv2:sampleRate control ports. * Tolerate loading presets with port values that aren’t xsd:decimal * Notify plugins of Jack transport changes by sending events (an atom:Blank with properties from the LV2 time extension) * Refuse to instantiate plugins which require unsupported features * Support LV2 buf-size extension (with all features) * Add Gtk3 UI * Port to MinGW * Fix Jack Session support Enjoy, -dr

12 years, 3 months

LV2 1.2.0

by David Robillard

LV2 1.2.0 is out. This release adds three new extensions: * options, a generic mechanism for hosts to pass options to plugins at instantiation time (and optionally get/set them later) * buf-size, which allows hosts to provide block length and buffer size information to plugins (via options), and plugins to to require restrictions such as fixed and/or power of 2 block lengths * morph, which allows port types to be changed dynamically, with backwards compatibility (e.g. control ports can optionally be used as CV ports in hosts aware of this extension) There are also many improvements to the existing specifications. Complete list of changes: * Use stricter datatype definitions conformant with the XSD and OWL specifications for better validation. * Move all project metadata for extensions (e.g. change log) to separate files to spare hosts from loading them during discovery. * lv2core: Use consistent label style. * atom: Fix lv2_atom_object_next() on 32-bit platforms. * atom: Fix outdated documentation in forge.h. * atom: Add lv2_atom_object_body_get(). * atom: Add LV2_ATOM_CONTENTS_CONST and LV2_ATOM_BODY_CONST. * atom: Fix implicit conversions in forge.h that are invalid in C++11. * atom: Use consistent label style. * buf-size: Initial release. * dynmanifest: Use consistent label style. * event: Use consistent label style. * event: Use more precise domain and range for EventPort properties. * event: Remove asserts from event-helper.h. * event: Make event iterator gracefully handle optional ports. * midi: Add C definitions for message types and standard controllers. * midi: Remove non-standard midi:Tick message type. * midi: Add midi:binding and midi:channel predicates. * midi: Use consistent label style. * midi: Add midi:HexByte datatype for status bytes and masks. * midi: Fix definition of SystemExclusive status byte. * morph: Initial release. * options: Initial release. * parameters: Add parameters.h of URI defines for convenience. * parameters: Use consistent label style. * parameters: Add param:sampleRate. * port-groups: Use consistent label style. * port-props: Use consistent label style. * presets: Use consistent label style. * resize-port: Initial release. * state: Use consistent label style. * time: Use consistent label style. * urid: Fix typo in urid:unmap documentation. This release is backwards compatible with LV2 1.0.0, though updating is recommended. Enjoy, -dr

12 years, 3 months

Guitarix release 0.24.1

by hermann meyer

This is a maintenance release of guitarix2 with some minor fixes. Guitarix is a mono tube amplifier simulation for jack, with additional mono/stereo effect racks which can be filled with some in-build effects as well as with external LADSPA plugins. Things that changed in this release: * fix In "organize" mod copying preset form one bank to the same one corrupts the bank * add sse4a (CPU optimization) to wscript * add treble booster unit * set osc buffer-size menu to sensitive false when jack buffer is larger then 1023 to avoid X-runs Please refer to our project page for more information: http://guitarix.sourceforge.net/ download site: http://sourceforge.net/projects/guitarix/ have fun guitarix development team _______________________________________________

12 years, 3 months

Deadline approaching: 2013 ASCAP/SEAMUS Student Commission Competition

by Per Bloland

(apologies for cross-postings) Note: the October 15th deadline for submissions is fast approaching! Details follow: The Society for Electro-Acoustic Music in the United States (SEAMUS) is pleased to announce the 2013 ASCAP/SEAMUS Student Composer Commissioning Program. The purpose of this program is to stimulate student participation in SEAMUS activities, and to encourage young composers to pursue creative endeavors in electro-acoustic music. The program is administered by SEAMUS and funded by the American Society of Composers, Authors and Publishers (ASCAP) <http://www.ascap.com <http://www.ascap.com/> >. The submission deadline is October 15, 2012. For more information, and the online application, please visit the SEAMUS web site at http://www.seamusonline.org/ RULES FOR SUBMISSION Note that the rules and procedures have changed as of this year. All submissions are to be made online, through the seamusonline.org <http://seamusonline.org/> website. Only one work of electroacoustic music may be submitted, which must adhere to the following guidelines: Music submissions must be prepared as a single LastnameFirstname.MP3 or LastnameFirstname.ZIP archive. Audio Files: music submissions should include a representative audio recording of the work. If a concert work, it must be the complete composition. Installations may be represented by an excerpted recording not to exceed 10 minutes in length. Judging of music submissions for ASCAP/SEAMUS Student Competition will be from audio files in the MP3 format. Multichannel works will be judged from a stereo mix, also MP3. Please assist us by submitting in MP3 format. Scores: for submissions involving a score, please submit an anonymized PDF score for review. Please do not mail in printed scores at this time. Video Submissions: note that for works involving video, only the audio portion will be considered for judging purposes. You must be the composer of the music for the video. Please submit an MP3 of the music as specified above. Only one (1) entry per student. This same work may be submitted to the SEAMUS 2013 National Conference via the conference submission page. All finalists in the ASCAP/SEAMUS Student Commission Competition must attend the SEAMUS 2013 National Conference. AWARDS A maximum of two prizes may be awarded. The decision of the judges will be final. First Prize Commission of $1250 for a new work of electro-acoustic music Performance of commissioned work at the 2014 SEAMUS National Conference Recording of the commissioned work in the SEAMUS Compact Disc Series Certificate of recognition Second Prize Commission of $750 for a new work of electro-acoustic music Performance of commissioned work at the 2014 SEAMUS National Conference Certificate of recognition ELIGIBILITY Applicants to the 2013 ASCAP/SEAMUS Student Commissioning Competition must be student members of SEAMUS and must be either currently enrolled in an academic program in the United States (high school through doctoral studies) or a United States citizen studying abroad. All completed submissions will be verified for student status against current SEAMUS membership records. Per Bloland SEAMUS Member-at-Large

12 years, 3 months

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Linux-audio-announce