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[LAA] International Computer Music Conference extended deadline

by Andrew Varano

INTERNATIONAL COMPUTER MUSIC CONFERENCE 2013 EXTENDED DEADLINE FOR SUBMISSION OF PAPERS AND WORKS UNTIL FEBRUARY 28th. The Submission deadline for papers, works and for registration for ICMC 2013 has been extended until the 28th of February 2013. Updated Timeline: 10/12/2012 Initial Call for Papers and Works 10/1/2013 Full Call and Open for Submissions 28/2/13 Submission Deadline  28/2/2013 Registrations Open  28/4/2013 Papers and Works Confirmed The International Computer Music Conference (ICMC) has been the major international medium for the presentation of technical and musical research, both musical and theoretical, interrelated to the use of computers in music. ICMC travels the globe annually, and will be held in Australia for the first time this year. The conference theme for 2013 is IDEA – International Developments in ElectroAcoustics. We encourage the submission of papers examining any topic related to computer music and digital audio, including: aesthetic, compositional, educational, musicological, perceptual, scientific and technical aspects. Only completed papers and creative works will be considered. Producer of the conference this year is Tura New Music, in association with The International Computer Music Association, Edith Cowan University and The Australasian Computer Music Association. The Conference will be based in the Perth Cultural Centre in venues including The Perth Institute of Contemporary Arts, The State Library of WA and The Western Australian Museum. For more information on the ICMC 2013 please go to http://www.icmc2013.com.au/ All Enquiries to: Andrew Varano conference(a)tura.com.au

12 years, 11 months

[LAA] [ANN] Virtual MIDI Piano Keyboard (VMPK) 0.5.1 has been released

by Pedro Lopez-Cabanillas

Virtual MIDI Piano Keyboard is a MIDI events generator and receiver. It doesn't produce any sound by itself, but can be used to drive a MIDI synthesizer (either hardware or software, internal or external). You can use the computer's keyboard to play MIDI notes, and also the mouse. You can use the Virtual MIDI Piano Keyboard to display the played MIDI notes from another instrument or MIDI file player. Changes for v0.5.1: * Fixed bug #3599827. No default keyboard shortcuts available in 0.5.0 on fresh installations * Qt5 build compatibility (but not fully functional) Requirements for all platforms: CMake-2.8 and Qt-4.8 or later. Please use the mailing list <vmpk-devel(a)lists.sourceforge.net> for questions and comments. Thanks. Copyright (C) 2008-2013, Pedro López-Cabanillas and others License: GPL v3 More info http://vmpk.sourceforge.net Downloads http://sourceforge.net/projects/vmpk/files/vmpk/0.5.1/ Regards, Pedro

13 years

[LAA] Vee One Suite 0.3.1 - One second bug-fix release

by Rui Nuno Capela

hello there, a new batch of the Vee One Suite of old-school software instruments, primarily slated for Linux, featuring synthv1 [1], a polyphonic synthesizer, samplv1 [2], a polyphonic sampler and drumkv1 [3], a drum-kit sampler, are on the loose now. as previously, they come in a couple of expressions, such as: - a pure stand-alone JACK client with JACK-session and both JACK MIDI and ALSA MIDI input support; - a LV2 instrument plugin. interesting changes for this bug-fix release are: - improved filters parameter sensitivity (cutoff, reso). - envelope generators stage curves now gone a little more old-schooler and analog-like, hopefully improving on the punchy and click-less sound front. - experimental LV2 Time designated port support (Delay BPM). - preparations for Qt5 migration. - sample loop points were missing the LV2 UI state restoration. (samplv1) all are free, open-source Linux Audio software, distributed under the terms of the GNU General Public License (GPL) version 2 or later. enjoy the Carnival! [1] synthv1 - an old-school polyphonic synthesizer synthv1 is an old-school all-digital 4-oscillator subtractive polyphonic synthesizer with stereo fx. LV2 URI: http://synthv1.sourceforge.net/lv2 website: http://synthv1.sourceforge.net downloads: http://sourceforge.net/projects/synthv1/files - source tarball: http://download.sourceforge.net/synthv1/synthv1-0.3.1.tar.gz - source package: http://download.sourceforge.net/synthv1/synthv1-0.3.1-8.rncbc.suse122.src.r… - binary packages: http://download.sourceforge.net/synthv1/synthv1-0.3.1-8.rncbc.suse122.i586.… http://download.sourceforge.net/synthv1/synthv1-0.3.1-8.rncbc.suse122.x86_8… [2] samplv1 - an old-school polyphonic sampler samplv1 is an(other) old-school all-digital polyphonic sampler synthesizer with stereo fx. LV2 URI: http://samplv1.sourceforge.net/lv2 website: http://samplv1.sourceforge.net downloads: http://sourceforge.net/projects/samplv1/files - source tarball: http://download.sourceforge.net/samplv1/samplv1-0.3.1.tar.gz - source package: http://download.sourceforge.net/samplv1/samplv1-0.3.1-8.rncbc.suse122.src.r… - binary packages: http://download.sourceforge.net/samplv1/samplv1-0.3.1-8.rncbc.suse122.i586.… http://download.sourceforge.net/samplv1/samplv1-0.2.1-8.rncbc.suse122.x86_8… [3] drumkv1 - an old-school drum-kit sampler. drumkv1 is (yet) an(other) s an old-school all-digital drum-kit sampler synthesizer with stereo fx. LV2 URI: http://drumkv1.sourceforge.net/lv2 website: http://drumkv1.sourceforge.net downloads: http://sourceforge.net/projects/drumkv1/files - source tarball: http://download.sourceforge.net/drumkv1/drumkv1-0.3.1.tar.gz - source package: http://download.sourceforge.net/drumkv1/drumkv1-0.3.1-4.rncbc.suse122.src.r… - binary packages: http://download.sourceforge.net/drumkv1/drumkv1-0.3.1-4.rncbc.suse122.i586.… http://download.sourceforge.net/drumkv1/drumkv1-0.3.1-4.rncbc.suse122.x86_8… see also: http://www.rncbc.org/drupal/node/615 cheers! -- rncbc aka Rui Nuno Capela rncbc(a)rncbc.org

13 years

[LAA] OT: Network Music Festival // 22-24 February // Birmingham (UK)

by Holger

*Inline image 1* * * *NETWORK MUSIC FESTIVAL // A hi-tech musical weekender* *22-24th FEBRUARY 2012 // BIRMINGHAM (UK)* * * * * *Network Music Festival returns to Birmingham to present a weekend of innovative hi-tech musical performances and installations from local and international artists. * * * After the success of the first *Network Music Festiva*l in January 2012 the festival will return to Birmingham on *22-24th February 2013*. We are working with some of the artists from NMF 2012 to curate what promises to be an exciting and diverse line-up of network artists. Benoît and the Mandelbrots (CO/DE), Wrongheaded (UK), Glitch Lich (UK/USA) and Birmingham’s own network band BiLE have each curated a concert at the weekend long festival. Alongside this, local curator Samuel Rodgers (Consumer Waste) has programmed a sound installation exhibition which addresses the theme of networking. NMF2013 will feature specially invited artists, including audio-visual laptop duo *Alo Allik* (EST) and *Yota Morimoto* (BRA), and artists selected from the festival's Open Call, which received more than 90 proposals from Europe, the Americas and Australia. The festival will take place in venues across Birmingham’s lively arts quarter, Digbeth, with performances and the festival hub located once again at the home of the Friction Arts collective, the newly expanded The Edge warehouse. This year's very special guests are *The Hub* (USA) - considered by many to be the inventors of network music - making a rare visit to the UK. This legendary band first started wiring computers together for live performance in the 1980s and remain a seminal influence for computer music bands today. Other highlights include the live-coding band *Slub* (UK), inventors of the ‘Algorave’: that is, dance music produced using computer algorithms, written live in front of the audience. The festival will also welcome another highly innovative act, *PB_UP* (DE), who were the first laptop band to perform entirely wirelessly. The German group describe themselves as an 'acoustic computer folk band' in that they perform completely 'unplugged,' without any external power or amplification. Contemporary composer *John Eacott* (UK) will present his piece 'Floodtide', which is based on the natural movements of the river Thames. It will see Eacott collect real-time data on the river's tidal movement, which is automatically translated into musical notation, and transmitted via the internet to be performed by a chamber group of classical musicians in Birmingham. The festival will also include a chance to explore the inner-workings of network music with a variety of general interest and specialist talks and workshops - open to all levels of experience. Tickets for NMF 2013 are available now from: http://networkmusicfestival.brownpapertickets.com <http://networkmusicfestival.brownpapertickets.com/>. More information about the festival can be found at the festival website: networkmusicfestival.org <http://networkmusicfestival.org/> or you can follow us on facebook: facebook.com/networkmusicfestival <http://facebook.com/networkmusicfestival> or twitter:@netmusicfest <http://twitter.com/netmusicfest> Network Music Festival // 22-24th February 2013 // The Edge, 79-81 Cheapside, Birmingham, B12 0QH Web: networkmusicfestival.org <http://networkmusicfestival.org/> Twitter: @NetMusicFest <http://twitter.com/netmusicfest> Hashtag: #NMF2013 Facebook: www.facebook.com/networkmusicfestival <http://www.facebook.com/networkmusicfestival> Email: networkmusicfestival(a)gmail.com <mailto:networkmusicfestival@gmail.com> //////////////////////////////// NMF2012 featured over 70 artists from Birmingham’s home-grown talent to UK and international artists from as far afield as USA and Colombia in 5 concerts. They presented a diverse range of performances including live coding, multiple-location performances, trans-atlantic streaming, new instruments for network performance, installations, workshops and talks. The festival was featured on BBC 5 Live’s Outriders program and mentioned in several national and international publications including The Financial Times and The Computer Music Journal. This year is set to feature just as many artists showcasing cutting-edge approaches to high-tech musical performance. Expect a diverse programme of laptop performances, live coding, multi-location performances, communicating home-made musical gadgets, immersive sound installations, interactive workshops and more!

13 years

[LAA] [ANN] Radium V1.9.29

by Kjetil Matheussen

Radium is a music editor with a new and better interface. It's inspired by trackers, but has fewer limitations and uses graphics to show musical data. The advantages of this interface compared to piano rolls (the normal sequencer interface), are that note editing is quicker, and that more musical data fits on the screen. The advantage of this interface compared to trackers, is that note positions and effects are edited graphically, which is both quicker, provides more vertical space, and gives a better musically overview. However, despite it's unusual appearance, it's a design goal for Radium to be straight forward to use, and easy to learn. It should not be harder to learn Radium than any tracker or most midi sequencers. Screenshot: http://users.notam02.no/~kjetism/radium/pictures/radium-1-9-25.png Homepage: http://users.notam02.no/~kjetism/radium/ Source code repository: https://github.com/kmatheussen/radium Most important changes 1.9.24 -> 1.9.29: * Revert back to faust's denormal handling. Hopefully fixes crash on CPUs without sse2. * Fix vst plugin memory corruption * System compressor * Compressor and equalizer GUI can be shown/hidden. * Fixed various bugs, etc.

13 years

[LAA] Announcing midisnoop-0.1.2!

by Devin Anderson

I'm happy to announce the release of midisnoop-0.1.2! midisnoop is a simple MIDI monitor and prober. You can use it to monitor a MIDI device and/or software, and to send MIDI messages to a MIDI port to see how the device/software responds. midisnoop supports both ALSA and JACK MIDI ports via the RtMidi library. Changes Since 0.1.0: * UI improvements. * Fixed a configure bug (reported by Robin Gareus). `midisnoop` is available at: http://midisnoop.googlecode.com/ Please report bugs using the issue tracker: http://code.google.com/p/midisnoop/issues/list If you like `midisnoop` and have ideas that can make it better and/or want to keep up with its progress, join the users group: http://groups.google.com/group/midisnoop-users If you're a developer and want to contribute to `midisnoop`, join the development group: http://groups.google.com/group/midisnoop-development Thanks, -- Devin Anderson surfacepatterns (at) gmail (dot) com blog - http://surfacepatterns.blogspot.com/ midisnoop - http://midisnoop.googlecode.com/ psinsights - http://psinsights.googlecode.com/ synthclone - http://synthclone.googlecode.com/

13 years

[LAA] ir.lv2 with LV2 State extension support

by Jiří Procházka

Hi, I updated the ir.lv2 convolution plugin to support LV2 State extension for proper saving the internal plugin state. It definitely works in QTractor, Ardour 3 (tested latest beta) and Ardour 2 (using the legacy hash ports state hack). https://github.com/Anchakor/ir.lv2 Enjoy

13 years

[LAA] NIME 2013 deadline extended!

by Kyogu Lee

Apologies for cross posting. Please distribute widely. Quick reminder: Deadline for the NIME 2013 has been extended to February 12th (T). We encourage your contribution! Best, Kyogu Lee Paper Chair, NIME 2013 [PLEASE FORWARD AND DISTRIBUTE. THANK YOU!] 13th International Conference on New Interfaces for Musical Expression (NIME) May 27-30, 2013, Daejeon + Seoul, Korea Republic http://www.nime2013.org <http://www.nime2013.org/> | http://www.facebook.com/Nime2013 CALL FOR PARTICIPATION On behalf of the NIME 2012 Committee, We would like to invite you to be part of the 13th international conference on New Interfaces for Musical Expression conference. We invite submission of new works in the following categories: - Paper (oral/poster/demo) - Performance - Installation - Workshop Important dates: - Paper/performance/installation submissions and workshop proposals due: February 12, 2013 - Review notification: March 16, 2013 - Camera-ready paper deadline: April 21, 2013 Topics include (but are not limited to): - Novel controllers and interfaces for musical expression - Novel musical instruments - Augmented/hyper instruments - Novel controllers for collaborative performance - Sensor and actuator technologies - Haptic and force feedback devices - Motion, gesture and music - Interfaces for dance and physical expression - Multimodal expressive interfaces - Interfaces for hearing or visually impaired for musical expression - Interactive game music - NIME intersecting with game design - Robotic music - Mobile music technology and performance paradigm - Biological and bio-inspired systems - Musical mapping strategies - Interactive sonification - Interactive sound and multimedia installations - Musical human-computer interaction - Interactivity design and software tools - Interface protocols and data formats - Sonic interaction design - Perceptual and cognitive issues - Performance analysis - Performance rendering and generative algorithms - Machine learning in performance systems - Experiences with novel interfaces in live performance and composition - Surveys of past work and stimulating ideas for future research - Historical studies in twentieth-century instrument design - Artistic, cultural, and social impact of NIME technology - Experiences with novel interfaces in education and entertainment - Reports on student projects in the framework of NIME related courses - Practice-based research approaches/methodologies/criticism Call for Papers We welcome submissions of original research on all above-mentioned (and other) topics related to development and artistic use of new interfaces for musical expression. There are three different paper submission categories: - Full paper (up to 6 pages in proceedings, longer oral presentation, optional demo) - Short paper/poster (up to 4 pages in proceedings, shorter oral presentation or poster, optional demo) - Demonstration (up to 2 pages in proceedings) Submitted papers will be subject to a peer review process by an international expert committee. All accepted papers will be published in the conference proceedings, under an ISSN/ISBN reference, and will be available online after the conference. A manuscript submitted for review cannot be already under review for publication elsewhere, or be submitted for a second review elsewhere while under review for NIME 2013. Call for Performances We welcome submission of proposals for performances. Proposed performances should have a clear connection with the substance of the NIME conference. Performance proposals in conjunction with paper submissions are encouraged, but each will be judged on its own merit. Within reasonable limits, we may be able to provide musicians to perform pieces. Typical NIME performance pieces last for 5-15 minutes, but shorter and longer performance proposals may also be taken into consideration. Submitted proposals will be reviewed by an expert committee. Preference will be given to submissions with strong evidence that the proposed performance has already been realized or is technically feasible and within the artists' capabilities. Documentation of the performances will be available online after the conference. Call for Installations NIME 2013 will also provide several locations that can be used to exhibit new music installation work. These are foyer location installations or room-based installations in connection to the conference venues. Submitted proposals will be subject to a peer review process by an international expert committee. Documentation of the installations will be available online after the conference. Call for Workshops We call for short (3 hours) or long (6 hours) workshops and tutorials. These can be targeted towards specialist techniques, platforms, hardware, software or pedagogical topics for the advancement of fellow NIME-ers and people with experience related to the topic. They can also be targeted towards visitors to the NIME community, novices/newbies, interested student participants, people from other fields, and members of the public getting to know the potential of NIME. Tutorial proposers should clearly indicate the audience and assumed knowledge of their intended participants to help us market to the appropriate audience. Workshops and tutorials can relate to, but are not limited to, the topics of the conference. This is a good opportunity to explore a specialized interest or interdisciplinary topic in depth with greater time for discourse, debate, and collaboration. For any further information, please contact Woon Yeo (woony(a)kaist.edu). ----------------------------------------- Woon Seung Yeo Assistant Professor Audio & Interactive Media (AIM) Lab Graduate School of Culture Technology, KAIST http://aimlab.kaist.ac.kr/~woony woony(a)kaist.edu | woony(a)ccrma.stanford.edu ------------- List reminder: ------------- 0. ISMIR 2012 will take place in in Porto (Portugal) October 8th-12th, 2012. The web site of the conference is at http://ismir2012.ismir.net/ 1. Please do not send HTML documents to the list 2. Please do not send attachments (pictures, Word, etc.) to the list 3. Please do not send commercial ads to the list 4. Reuse of email addresses found on the list for unsolicited mail is forbidden 5. To unsubscribe, mail to "listserv(a)ircam.fr" the following text: unsub music-ir or login to http://listes.ircam.fr/ 6. For assistance, mail to "music-ir-request(a)listes.ircam.fr". 7. The archives of the list are at http://listes.ircam.fr/ 8. The collective web sites of the ISMIR conferences and all past proceedings are at http://www.ismir.net/

13 years

[LAA] LAC 2013: the Linux Audio Conference - Deadline Extension

by Florian Hollerweger

sorry for >< please >> << Hi all, The Linux Audio Conference submission deadline has been extended! It is now February 17th, 2013 (23:59 HAST). So, if you were considering to submit a paper but couldn't make up your mind yet, here is your chance to become active! Never forget that this conference lives through the people participating in it. FEBRUARY 17th is the new deadline for all submission types: papers, music, installations, workshop proposals. Check out the link below more info: http://lac.linuxaudio.org/2013/participation Please spread this information to anyone who might be interested. If you have any questions, drop us a line at lac(a)linuxaudio.org We are looking forward to seeing you in Graz in May! Thanks and happy last-minute music-and-paper-submissions, the LAC2013 organization team --- LAC 2013: the Linux Audio Conference May 9-12, 2013 @ IEM, Graz/Austria lac(a)linuxaudio.org http://lac.iem.at

13 years

[LAA] NASPRO 0.5.0 released

by Stefano D'Angelo

Hi all, Here comes a new release of NASPRO, 0.5.0 this time. No new features, just bugfixes and "regular" updates. The components being updated are: * NASPRO core: untested fix for semaphores on Mac OS X, build system fixes; * NASPRO bridge it: build system fixes; * NASPRO bridges: dynamic manifest URIs changed, updated LRDF-equivalent data matching newest CAPS releases, build system fixes; * LV2proc: fixed bogus warning w.r.t. lv2:sampleRate ports, updated manpage, build system fixes. ino, gino and FreeADSP have been undergoing experimentation in the last months and their future is uncertain at this point. Enjoy! Stefano

13 years

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