Lilv 0.16.0 is out. Lilv is a C library to make the use of LV2 plugins
as simple as possible for applications.
Download: http://download.drobilla.net/lilv-0.16.0.tar.bz2
More about Lilv: http://drobilla.net/software/lilv
This release fixes many bugs and adds several convenient functions to
the API. Upgrading is recommended.
* Add lilv_world_ask() for easily checking if a statement exists
* Add lilv_world_get() and lilv_port_get() for easily getting one value
* Add lilv_nodes_merge()
* Make lilv_plugin_get_port_by_designation() return a const pointer
* Require a URI for lilv_state_to_string() and fail gracefully
otherwise
* Fail gracefully when lilv_state_new_from_string() is called on NULL
* Make state loading functions fall back to lv2:default for port
values, so a plugin description can be loaded as default state
* Ignore state ports with no value instead of printing an error
* Support atom:supports in lilv_port_supports_event()
* Add va_list variant of lilv_plugin_get_num_ports_of_class()
* Fix several plugin functions that failed to load data if called first
* Correctly depend on serd at build time (fix compilation in odd cases)
* Disable timestamps in HTML documentation for reproducible build
* lilvmm.hpp: Support varargs for Plugin::get_num_ports_of_class()
* lilvmm.hpp: Add several missing methods
* Update to waf 1.7.8 and autowaf r90
(install docs to versioned directory)
Enjoy,
-dr
Sratom 0.4.2 is out. Sratom is a small C library for serialising LV2
atoms to/from Turtle. Using Sratom, hosts can easily serialise plugin
state or messages to and from portable strings in the same format as
plugin data files.
Download: http://download.drobilla.net/sratom-0.4.2.tar.bz2
More about Sratom: http://drobilla.net/software/sratom
This releases fixes a few minor bugs and memory leaks, and shrinks the
code slightly by making of the new sord_get() function.
Changes:
* Fix serialisation of nested tuples
* Fix memory leaks
* Use new sord API to clean up and shrink code
* Disable timestamps in HTML documentation for reproducible build
* Update to waf 1.7.9 and autowaf r90
(install docs to versioned directory)
Enjoy,
-dr
INTERNATIONAL COMPUTER MUSIC CONFERENCE 2013
EXTENDED DEADLINE FOR SUBMISSION OF PAPERS AND WORKS UNTIL FEBRUARY 28th.
The Submission deadline for papers, works and for registration for ICMC 2013 has been extended until the 28th of February 2013.
Updated Timeline:
10/12/2012 Initial Call for Papers and Works
10/1/2013 Full Call and Open for Submissions
28/2/13 Submission Deadline
28/2/2013 Registrations Open
28/4/2013 Papers and Works Confirmed
The International Computer Music Conference (ICMC) has been the major international medium for the presentation of technical and musical research, both musical and theoretical, interrelated to the use of computers in music. ICMC travels the globe annually, and will be held in Australia for the first time this year.
The conference theme for 2013 is IDEA – International Developments in ElectroAcoustics. We encourage the submission of papers examining any topic related to computer music and digital audio, including: aesthetic, compositional, educational, musicological, perceptual, scientific and technical aspects. Only completed papers and creative works will be considered.
Producer of the conference this year is Tura New Music, in association with The International Computer Music Association, Edith Cowan University and The Australasian Computer Music Association.
The Conference will be based in the Perth Cultural Centre in venues including The Perth Institute of Contemporary Arts, The State Library of WA and The Western Australian Museum.
For more information on the ICMC 2013 please go to http://www.icmc2013.com.au/
All Enquiries to: Andrew Varano conference(a)tura.com.au
Virtual MIDI Piano Keyboard is a MIDI events generator and receiver. It
doesn't produce any sound by itself, but can be used to drive a MIDI
synthesizer (either hardware or software, internal or external). You can use
the computer's keyboard to play MIDI notes, and also the mouse. You can use
the Virtual MIDI Piano Keyboard to display the played MIDI notes from
another instrument or MIDI file player.
Changes for v0.5.1:
* Fixed bug #3599827. No default keyboard shortcuts available in 0.5.0 on
fresh installations
* Qt5 build compatibility (but not fully functional)
Requirements for all platforms: CMake-2.8 and Qt-4.8 or later.
Please use the mailing list <vmpk-devel(a)lists.sourceforge.net> for questions
and comments. Thanks.
Copyright (C) 2008-2013, Pedro López-Cabanillas and others
License: GPL v3
More info
http://vmpk.sourceforge.net
Downloads
http://sourceforge.net/projects/vmpk/files/vmpk/0.5.1/
Regards,
Pedro
*Inline image 1*
*
*
*NETWORK MUSIC FESTIVAL // A hi-tech musical weekender*
*22-24th FEBRUARY 2012 // BIRMINGHAM (UK)*
*
*
*
*
*Network Music Festival returns to Birmingham to present a weekend of
innovative hi-tech musical performances and installations from local and
international artists. *
*
*
After the success of the first *Network Music Festiva*l in January 2012
the festival will return to Birmingham on *22-24th February 2013*.
We are working with some of the artists from NMF 2012 to curate what
promises to be an exciting and diverse line-up of network artists.
Benoît and the Mandelbrots (CO/DE), Wrongheaded (UK), Glitch Lich
(UK/USA) and Birmingham’s own network band BiLE have each curated a
concert at the weekend long festival. Alongside this, local curator
Samuel Rodgers (Consumer Waste) has programmed a sound installation
exhibition which addresses the theme of networking. NMF2013 will feature
specially invited artists, including audio-visual laptop duo *Alo
Allik* (EST) and *Yota Morimoto* (BRA), and artists selected from the
festival's Open Call, which received more than 90 proposals from Europe,
the Americas and Australia.
The festival will take place in venues across Birmingham’s lively arts
quarter, Digbeth, with performances and the festival hub located once
again at the home of the Friction Arts collective, the newly expanded
The Edge warehouse.
This year's very special guests are *The Hub* (USA) - considered by many
to be the inventors of network music - making a rare visit to the UK.
This legendary band first started wiring computers together for live
performance in the 1980s and remain a seminal influence for computer
music bands today.
Other highlights include the live-coding band *Slub* (UK), inventors of
the ‘Algorave’: that is, dance music produced using computer algorithms,
written live in front of the audience. The festival will also welcome
another highly innovative act, *PB_UP* (DE), who were the first laptop
band to perform entirely wirelessly. The German group describe
themselves as an 'acoustic computer folk band' in that they perform
completely 'unplugged,' without any external power or amplification.
Contemporary composer *John Eacott* (UK) will present his piece
'Floodtide', which is based on the natural movements of the river
Thames. It will see Eacott collect real-time data on the river's tidal
movement, which is automatically translated into musical notation, and
transmitted via the internet to be performed by a chamber group of
classical musicians in Birmingham.
The festival will also include a chance to explore the inner-workings of
network music with a variety of general interest and specialist talks
and workshops - open to all levels of experience.
Tickets for NMF 2013 are available now from:
http://networkmusicfestival.brownpapertickets.com
<http://networkmusicfestival.brownpapertickets.com/>.
More information about the festival can be found at the festival
website: networkmusicfestival.org <http://networkmusicfestival.org/> or
you can follow us on facebook: facebook.com/networkmusicfestival
<http://facebook.com/networkmusicfestival> or twitter:@netmusicfest
<http://twitter.com/netmusicfest>
Network Music Festival // 22-24th February 2013 // The Edge, 79-81
Cheapside, Birmingham, B12 0QH
Web: networkmusicfestival.org <http://networkmusicfestival.org/>
Twitter: @NetMusicFest <http://twitter.com/netmusicfest> Hashtag: #NMF2013
Facebook: www.facebook.com/networkmusicfestival
<http://www.facebook.com/networkmusicfestival>
Email: networkmusicfestival(a)gmail.com
<mailto:networkmusicfestival@gmail.com>
////////////////////////////////
NMF2012 featured over 70 artists from Birmingham’s home-grown talent to
UK and international artists from as far afield as USA and Colombia in 5
concerts. They presented a diverse range of performances including live
coding, multiple-location performances, trans-atlantic streaming, new
instruments for network performance, installations, workshops and talks.
The festival was featured on BBC 5 Live’s Outriders program and
mentioned in several national and international publications including
The Financial Times and The Computer Music Journal. This year is set to
feature just as many artists showcasing cutting-edge approaches to
high-tech musical performance. Expect a diverse programme of laptop
performances, live coding, multi-location performances, communicating
home-made musical gadgets, immersive sound installations, interactive
workshops and more!
Radium is a music editor with a new and better interface.
It's inspired by trackers, but has fewer limitations and uses graphics
to show musical data.
The advantages of this interface compared to piano rolls (the normal
sequencer interface), are that note editing is quicker, and that more
musical data fits on the screen.
The advantage of this interface compared to trackers, is that note
positions and effects are edited graphically, which is both quicker,
provides more vertical space, and gives a better musically overview.
However, despite it's unusual appearance, it's a design goal for Radium
to be straight forward to use, and easy to learn. It should not be
harder to learn Radium than any tracker or most midi sequencers.
Screenshot:
http://users.notam02.no/~kjetism/radium/pictures/radium-1-9-25.png
Homepage: http://users.notam02.no/~kjetism/radium/
Source code repository: https://github.com/kmatheussen/radium
Most important changes 1.9.24 -> 1.9.29:
* Revert back to faust's denormal handling.
Hopefully fixes crash on CPUs without sse2.
* Fix vst plugin memory corruption
* System compressor
* Compressor and equalizer GUI can be shown/hidden.
* Fixed various bugs, etc.
Hi,
I updated the ir.lv2 convolution plugin to support LV2 State extension
for proper saving the internal plugin state.
It definitely works in QTractor, Ardour 3 (tested latest beta) and
Ardour 2 (using the legacy hash ports state hack).
https://github.com/Anchakor/ir.lv2
Enjoy
Apologies for cross posting. Please distribute widely.
Quick reminder: Deadline for the NIME 2013 has been extended to February
12th (T). We encourage your contribution!
Best,
Kyogu Lee
Paper Chair, NIME 2013
[PLEASE FORWARD AND DISTRIBUTE. THANK YOU!]
13th International Conference on New Interfaces for Musical Expression
(NIME)
May 27-30, 2013, Daejeon + Seoul, Korea Republic
http://www.nime2013.org <http://www.nime2013.org/> |
http://www.facebook.com/Nime2013
CALL FOR PARTICIPATION
On behalf of the NIME 2012 Committee, We would like to invite you to be part
of the 13th international conference on New Interfaces for Musical
Expression conference.
We invite submission of new works in the following categories:
- Paper (oral/poster/demo)
- Performance
- Installation
- Workshop
Important dates:
- Paper/performance/installation submissions and workshop proposals due:
February 12, 2013
- Review notification: March 16, 2013
- Camera-ready paper deadline: April 21, 2013
Topics include (but are not limited to):
- Novel controllers and interfaces for musical expression
- Novel musical instruments
- Augmented/hyper instruments
- Novel controllers for collaborative performance
- Sensor and actuator technologies
- Haptic and force feedback devices
- Motion, gesture and music
- Interfaces for dance and physical expression
- Multimodal expressive interfaces
- Interfaces for hearing or visually impaired for musical expression
- Interactive game music
- NIME intersecting with game design
- Robotic music
- Mobile music technology and performance paradigm
- Biological and bio-inspired systems
- Musical mapping strategies
- Interactive sonification
- Interactive sound and multimedia installations
- Musical human-computer interaction
- Interactivity design and software tools
- Interface protocols and data formats
- Sonic interaction design
- Perceptual and cognitive issues
- Performance analysis
- Performance rendering and generative algorithms
- Machine learning in performance systems
- Experiences with novel interfaces in live performance and composition
- Surveys of past work and stimulating ideas for future research
- Historical studies in twentieth-century instrument design
- Artistic, cultural, and social impact of NIME technology
- Experiences with novel interfaces in education and entertainment
- Reports on student projects in the framework of NIME related courses
- Practice-based research approaches/methodologies/criticism
Call for Papers
We welcome submissions of original research on all above-mentioned (and
other) topics related to development and artistic use of new interfaces for
musical expression. There are three different paper submission categories:
- Full paper (up to 6 pages in proceedings, longer oral presentation,
optional demo)
- Short paper/poster (up to 4 pages in proceedings, shorter oral
presentation or poster, optional demo)
- Demonstration (up to 2 pages in proceedings)
Submitted papers will be subject to a peer review process by an
international expert committee. All accepted papers will be published in the
conference proceedings, under an ISSN/ISBN reference, and will be available
online after the conference. A manuscript submitted for review cannot be
already under review for publication elsewhere, or be submitted for a second
review elsewhere while under review for NIME 2013.
Call for Performances
We welcome submission of proposals for performances. Proposed performances
should have a clear connection with the substance of the NIME conference.
Performance proposals in conjunction with paper submissions are encouraged,
but each will be judged on its own merit. Within reasonable limits, we may
be able to provide musicians to perform pieces. Typical NIME performance
pieces last for 5-15 minutes, but shorter and longer performance proposals
may also be taken into consideration.
Submitted proposals will be reviewed by an expert committee. Preference will
be given to submissions with strong evidence that the proposed performance
has already been realized or is technically feasible and within the artists'
capabilities. Documentation of the performances will be available online
after the conference.
Call for Installations
NIME 2013 will also provide several locations that can be used to exhibit
new music installation work. These are foyer location installations or
room-based installations in connection to the conference venues.
Submitted proposals will be subject to a peer review process by an
international expert committee. Documentation of the installations will be
available online after the conference.
Call for Workshops
We call for short (3 hours) or long (6 hours) workshops and tutorials. These
can be targeted towards specialist techniques, platforms, hardware, software
or pedagogical topics for the advancement of fellow NIME-ers and people with
experience related to the topic. They can also be targeted towards visitors
to the NIME community, novices/newbies, interested student participants,
people from other fields, and members of the public getting to know the
potential of NIME.
Tutorial proposers should clearly indicate the audience and assumed
knowledge of their intended participants to help us market to the
appropriate audience. Workshops and tutorials can relate to, but are not
limited to, the topics of the conference. This is a good opportunity to
explore a specialized interest or interdisciplinary topic in depth with
greater time for discourse, debate, and collaboration.
For any further information, please contact Woon Yeo (woony(a)kaist.edu).
-----------------------------------------
Woon Seung Yeo
Assistant Professor
Audio & Interactive Media (AIM) Lab
Graduate School of Culture Technology, KAIST
http://aimlab.kaist.ac.kr/~woony
woony(a)kaist.edu | woony(a)ccrma.stanford.edu
------------- List reminder: ------------- 0. ISMIR 2012 will take place in
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