On behalf of the entire Rivendell development team, I'm pleased to announce the availability of Rivendell v2.19.0. Rivendell is a full-featured radio automation system targeted for use in professional broadcast environments. It is available under the GNU General Public License.
From the NEWS file:
*** snip snip ***
Changes:
Log Locking. Implemented a system-wide protocol to prevent changes
made to a log on one host from being inadvertently overwritten from
another host.
Log Importation Changes. Changed music and traffic importation so that
parent link events are still visible in linked logs.
Added the ability to specify automatic log deletion on the basis of
either the Creation Date or Air Date of the log.
Fixed a bug in rdlibrary(1) that caused evergreen cart/cuts to fail
to be highlighted in the correct color.
Database Update:
This version of Rivendell uses database schema version 275, and will
automatically upgrade any earlier versions. To see the current schema
version prior to upgrade, see RDAdmin->SystemInfo.
As always, be sure to run RDAdmin immediately after upgrading to allow
any necessary changes to the database schema to be applied.
*** snip snip ***
Further information, screenshots and download links are available at:
http://www.rivendellaudio.org <http://www.rivendellaudio.org/>
Cheers!
|----------------------------------------------------------------------|
| Frederick F. Gleason, Jr. | Chief Developer |
| | Paravel Systems |
|----------------------------------------------------------------------|
| A room without books is like a body without a soul. |
| -- Cicero |
|----------------------------------------------------------------------|
Dear all,
We just enabled all mail services for linuxaudio.org again. All mailing
lists are working again and mail can be sent and received for the
linuxaudio.org domain.
A short recap of what happened is that linuxaudio.org got compromised on
January 29th, probably with a compromised private SSH key or password
from an account with shell access. The attacker checked the kernel, saw
that it was vulnerable to Dirty COW¹, pulled in an exploit and got root.
This was quickly discovered by the IT department of Virginia Tech
University that disconnected the server from the internet and started a
forensic investigation procedure. As part of their IT security policy
the server had to be reinstalled and everything had to be set up from
scratch again. In the meanwhile I built an alternative setup and after
some discussion we agreed on moving linuxaudio.org away from the
Virginia Tech server.
So linuxaudio.org got a new home after 15 years at Virginia Tech². We're
very, very thankful that we could host linuxaudio.org on their servers
and we can't stress enough how grateful we are for all the work that has
been done on the side of Virginia Tech after the hack.
linuxaudio.org now lives at Fuga³, a fully open source OpenStack⁴ cloud
based in The Netherlands. Fuga is part of Cyso⁵, the company I work for.
The linuxaudio.org ecosystem now consists of three separate servers, a
web server, a mail server and a storage server. We rebuilt everything
with portability and scalability in mind with a strong focus on
security. You can never prevent passwords or SSH keys getting into the
hands of hackers but we'll try to keep the servers as up to date as we
can to narrow down the attack surface as much as possible.
A big thank you to all those who helped out! It was quite a ride but it
seems as if most part of the linuxaudio.org ecosystem is accessible
again. If you find any web pages, downloads or other bits and parts that
don't work properly then please let us know so we can take a look at it.
Many thanks in advance and also many thanks for bearing with us!
Best,
Jeremy Jongepier
root(a)linuxaudio.org
¹ https://dirtycow.ninja/
² https://icat.vt.edu/
³ https://fuga.cloud/
⁴ https://www.openstack.org/
⁴ https://cyso.com/en/
NIME 2018 Call for submissions
Please pardon the cross-posting,
*A friendly reminder that the submission deadline of January 20th, 2018,
for the NIME 2018 conference is now less than 48 hours away. Please note
as long as you create a placeholder entry by January 20th, you will be
able to edit it until the final submission deadline of January 27th. The
paper templates and all other supporting information is available on the
website (**NIME2018.ORG <http://nime2018.org>).
Breaking news: In conjunction with the NIME conference, Virginia Tech
Moss Arts Center will be hosting "Invented Instruments" exhibit by
Laurie Anderson featuring the famous Tape Bow Violin.
*
**
*
We sincerely look forward to your submissions. In the meantime, should
you have any questions, please do not hesitate to contact us.*
*About NIME*
NIME (New Interfaces for Musical Expression) is the premier conference
in human-machine interfaces and interactions for musical performance.
NIME is a gathering of researchers, designers, musicians, who come
together to share knowledge, perform music, and build community through
research presentations, concerts, installations, and workshops.
On behalf of the 2018 NIME Committee I am pleased to announce that the
NIME 2018 "Mirrored Resonances" Conference call for submissions is now
officially open! Co-organized between Virginia Tech and the University
of Virginia, the conference will take place June 3-6, 2018 in
Blacksburg, Virginia. We welcome submissions of papers, posters, panels,
musical performances, installations, demos, and workshops, particularly
those that may respond to the overarching conference theme of “Mirrored
Resonances” and its thematic areas in any of the many ways they might be
interpreted. Likewise, we encourage potential participants to consider
exploring the unique Virginia Tech facilities, including the Institute
for Creativity, Arts, and Technology’s Cube with a massive high density
loudspeaker array. The deadline for the *double-blind peer reviewed
submissions*, including papers, panels, demo papers, music, and
installations is January 20th, 2018. Submissions created by January 20th
will continue to be editable until January 27th when the submission
process will close. Demos without paper and workshops will be *curated
*and have an extended submission deadline until March 1st, 2018. In
addition to the NIME and academic communities, we also invite industry,
as well as non-academic creatives to consider participating in the
aforesaid categories. For a complete list of important dates visit the
Participate <http://nime2018.icat.vt.edu/Participation/#dates> page.
We are excited to announce that the conference will feature four keynote
artists:
*Onyx Ashanti**
**Benjamin Knapp**
**Ikue Mori**
**Pamela Z*
If interested in sponsorship opportunities please do not hesitate to
contact us
<mailto:conference-chairs@nime2018.org?Subject=NIME%202018%20Sponsorship>
On behalf of the entire NIME 2018 Committee, we look forward to
welcoming you in Virginia next June!
Go to the website
<http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-r/>
NIME2018.ORG <http://nime2018.org>
Facebook <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-y/>
Twitter <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-j/>
Instagram <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-t/>
Website <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-i/>
Moss Arts Center
190 Alumni Mall
Blacksburg, VA 24060
Like <http://virginiatech.cmail19.com/t/j-fb-otlirdl-ydiykltyik-d/>
Tweet <http://virginiatech.cmail19.com/t/j-tw-otlirdl-ydiykltyik-h/>
Share <http://virginiatech.cmail19.com/t/j-li-otlirdl-ydiykltyik-p/>
Forward
<http://virginiatech.forwardtomyfriend.com/j-ydiykltyik-61B1A90A-otlirdl-l-x>
NIME 2018 Call for submissions
Please pardon the cross-posting,
*A friendly reminder that the submission deadline of January 20th,
2018, for the NIME 2018 conference is now a week away. Please note as
long as you create a placeholder entry, you will be able to edit it
until the final submission deadline of January 27th. The paper templates
and all other supporting information is available on the website
(**NIME2018.ORG <http://nime2018.org>). We sincerely look forward to
your submissions. In the meantime, should you have any questions, please
do not hesitate to contact us.*
NIME (New Interfaces for Musical Expression) is the premier conference
in human-machine interfaces and interactions for musical performance.
NIME is a gathering of researchers, designers, musicians, who come
together to share knowledge, perform music, and build community through
research presentations, concerts, installations, and workshops.
On behalf of the 2018 NIME Committee I am pleased to announce that the
NIME 2018 "Mirrored Resonances" Conference call for submissions is now
officially open! Co-organized between Virginia Tech and the University
of Virginia, the conference will take place June 3-6, 2018 in
Blacksburg, Virginia. We welcome submissions of papers, posters, panels,
musical performances, installations, demos, and workshops, particularly
those that may respond to the overarching conference theme of “Mirrored
Resonances” and its thematic areas in any of the many ways they might be
interpreted. Likewise, we encourage potential participants to consider
exploring the unique Virginia Tech facilities, including the Institute
for Creativity, Arts, and Technology’s Cube with a massive high density
loudspeaker array. The deadline for the *double-blind peer reviewed
submissions*, including papers, panels, demo papers, music, and
installations is January 20th, 2018. Submissions created by January 20th
will continue to be editable until January 27th when the submission
process will close. Demos without paper and workshops will be *curated
*and have an extended submission deadline until March 1st, 2018. In
addition to the NIME and academic communities, we also invite industry,
as well as non-academic creatives to consider participating in the
aforesaid categories. For a complete list of important dates visit the
Participate <http://nime2018.icat.vt.edu/Participation/#dates> page.
We are excited to announce that the conference will feature four keynote
artists:
*Onyx Ashanti**
**Benjamin Knapp**
**Ikue Mori**
**Pamela Z*
If interested in sponsorship opportunities please do not hesitate to
contact us
<mailto:conference-chairs@nime2018.org?Subject=NIME%202018%20Sponsorship>
On behalf of the entire NIME 2018 Committee, we look forward to
welcoming you in Virginia next June!
Go to the website
<http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-r/>
NIME2018.ORG <http://nime2018.org>
Facebook <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-y/>
Twitter <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-j/>
Instagram <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-t/>
Website <http://virginiatech.cmail19.com/t/j-l-otlirdl-ydiykltyik-i/>
Moss Arts Center
190 Alumni Mall
Blacksburg, VA 24060
Like <http://virginiatech.cmail19.com/t/j-fb-otlirdl-ydiykltyik-d/>
Tweet <http://virginiatech.cmail19.com/t/j-tw-otlirdl-ydiykltyik-h/>
Share <http://virginiatech.cmail19.com/t/j-li-otlirdl-ydiykltyik-p/>
Forward
<http://virginiatech.forwardtomyfriend.com/j-ydiykltyik-61B1A90A-otlirdl-l-x>
I don't think I ever gave a proper release and there haven't been any bug
reports for a while so:
https://github.com/ssj71/reMID.lv2/releases/tag/v0.1
This actually is pretty stable and I don't have a lot of time to work on
it, so I figure I should at least do a first official release.
For those holding out for a GUI check out
https://www.tracktion.com/products/8bit-treats
Those are probably more like what you expect, but don't have the scripting
capabilities of reMID.
enjoy!
_Spencer
[Apologies for cross-postings] [Please distribute]
Conference date: 7th - 10th June 2018
The Linux Audio Conference 2018 will be hosted at c-base, Berlin -
in partnership with the Electronic Music Studio (TU Berlin) and Spektrum.
https://lac.linuxaudio.org/2018
Deadline for all submissions: Friday, February 28th, 2018 (23:59 UTC)
- - -
1: Call for Papers / Posters / Workshops
LAC 2018 invites submissions of papers, posters and workshops addressing
all areas of audio processing based on Linux and open source software.
All submissions and presentations are in English. All submissions are
peer reviewed by a committee of experts from different disciplines.
Submissions can focus on technical, artistic or scientific issues and
can target developers or users.
For more details see the website:
https://lac.linuxaudio.org/2018/pages/cfp/
*Papers*
Papers must be written and presented in English.
The length of papers is 4 to 8 pages, with up to 5 keywords, and an
abstract of up to 200 words.
The poster presentations are based on paper submissions of 2-4 pages,
with up to 5 keywords and an abstract of up to 150 words.
*Workshops*
The workshop presentation (max duration of 2h) should be 1-4 pages, with
up to 5 keywords, and an abstract of up to 150 words to be published on
the conference website. Submit a brief description of the workshop
including URL (if available).
How to submit?
* Use the OpenConf online submission tool at
https://lac.linuxaudio.org/2018/openconf
* Select the relevant submission type ('_ PAPER _' / '_ POSTER _' / '_
WORKSHOP _')
* The required file format is PDF, formatted for A4 paper. Authors are
required to use the templates for paper formatting available as download
on the conference website.
* Please notify us if you need a special technical setup for your
presentation.
- - -
2: Call for Music Performances / Multimedia Installations
LAC 2018 also invites submissions of Electroacoustic Works and
Multimedia Installations. A jury will select the compositions and
installations to be included in the conference program according to
artistic merit and technical feasibility.
Please be prepared to perform your work yourself and make sure that you
have all resources needed to perform your piece at your disposal (e.g.
instruments, other performers, etc.).
Unfortunately, LAC 2018 cannot pay a fee neither for you nor for any
additional performers, and LAC 2018 cannot organize or pay for travel or
accommodation neither for you nor for any additional performers.
All submissions are peer reviewed by a committee of experts in music and
arts.
Electroacoustic Works and Multimedia Installation can address all areas
of digital audio and audiovisual art.
Available Technical Setups
For concerts, the LAC will provide the following equipment:
* 8-channel - speaker setup
* Stereo setup + video projection
* Digital mixing desk
Additional requests can not be guaranteed.
How to submit?
* Use the OpenConf online submission tool at
https://lac.linuxaudio.org/2018/openconf
* Select the submission type '_ PERFORMANCE _'
* The required file format is PDF, formatted for A4 paper. It includes:
* Description of the project program notes
* Link to video or audio demonstration of the project
* Technical rider of the work
Important Dates
* Deadline for all submissions: Friday, February 28th, 2018 (23:59 UTC)
* Acceptance notification: March 31st, 2018
* Final deadline for 'camera ready' paper: April 15th, 2018
* Author registration deadline: April 15th, 2018
* Final program: May 1st, 2018
Up-to-date information regarding the conference can be found on its website:
https://lac.linuxaudio.org/2018
Looking forward to seeing you in Berlin!
The Linux Audio Conference 2018 team
MusE 3.0.0 released January 6, 2018
Hello all,
Can you hear it? No? Well, let me tell you, it’s that time again, more than
three years has passed (unfortunately) since the last MusE release. Finally
it’s time for a new one. And high time it is, the last stable release seems
to not even start on many modern systems…
A selection of sorts, changes since the last stable release 2.2.1 are as
follows (sorry it’s long):
* Switched to Qt5
* New Plugin Path editor in Global Settings:
* System-wide move to double precision of all audio paths
* LV2 fix for very slow right-click synth 'presets' ex. amsynth
* LV2 support PowerOf2BlockLength
* LV2 support FixedBlockLength
* Mixer makeover with lots of fixes
* Arranger Track Info panel complete makeover
* New: Persistent routes jack audio and midi routes.
* Multi-channel Audio Track routing
* Improved automation editing, no multi-point editing yet though
* Audio automation graphs undo support
* New wave drawing mode in arranger with a tiny outline of the wave file
* Added Native VST FX support (synths were already supported)
* Added support to resize notes and parts to the left with pencil tool
* Added live update of wave parts while recording
* Added Native VST shell plugins support
* Added recording restart function (CTRL+Space and SHIFT+space keeping the
old)
* Auto resample imported wave files to project's sample rate
* Graphical Routing dialog redone and enhanced
* Routing popup menus for midi now allow Jack Midi routing
* Device List added to midi configuration, with 'Delete' button.
* Added multichannel support for SimpleDrums (+routing ability)
* Added lots of instrument definition files
* CPU and Audio DSP usage metering
* Midi transformer support for for randomizing events
* Added sample-rate change according to song file when using RtAudio
* Midi device processing implementation greatly improved
* External midi clock sync reworked
* Large System Exclusive (sysex) message support for ALSA
* Added support for RtAudio audio backend - primarily Pulse is supported
* Synths can now be selected as a midi input route.
* Much improved monitoring functionality
* ALSA support is now optional, can run in pure jack mode.
* Timer improvements, ALSA timer now first choice.
* Fluidsynth MESS synth plugin now propagates drum names using libinstpatch
to drum editor
* Midi file export: Added missing Aftertouch, PolyAftertouch support
* Several host improvements to better support various plugin variants for
LV2 and VST
* More LV2 extensions supported
* Lots of GUI Widget changes, several widgets switchable between knob and
slider
* Various improvements to midi engine
* Greatly reduced CPU usage while playing and automation graph(s) showing.
* Some track arranger properties, like track channel can now be manipulated
with multiple tracks
* Mixer strip order now rearrangeable
* Persistent routes for Jack
* Multi-channel Audio Track routing.
* Routing popup menus redone.
* Song file version handling improved
* Midi config dialog reworked
* "Normalize wave part" menu item for wave track parts
* Many new keyboard shortcuts, for instance mute and solo and operate mixer
* Bug #526 fixed: Crash on cut with scissors while master open
* Added instrument files for:
** Classic Cantabile SP-250
** Medeli SP4200
** Korg Krome (Bank Map KORG)
** Korg Krome (Bank Map GM2)
** Roland-MT32
** Lexicon-MX200
** Yamaha-Rex50
** Yamaha-Motif XS
And lots and lots of internal changes
For the complete list of changes see:
https://github.com/muse-sequencer/muse/blob/muse_3_0_0/muse3/ChangeLog
News section:
http://muse-sequencer.org/index.php/News
Download:
http://muse-sequencer.org/index.php/Download
Demos page:
http://muse-sequencer.org/index.php/Demos
Forum is dead - use mailing list:
http://muse-sequencer.org/index.php/Support#Mailing_Lists
Some known issues that aren't dealt with yet:
* Add measure does not take automation into account, use Structure add
instead.
* Unmuting a track during playback sometimes causes wierd sound offset
issues, cured by stop/start
* Note on the first tick in a loop is not played
* Ctrl+C sometimes does not work for copying a part in the arranger, menu
alternative works
* Automation edit db cue is wrong when editing
Keep on Rocking!
The MusE Team