Hey hey,
I have an older USB to MIDI adapter cable, a UA0037 (probably LogiLink, sold
as Conrad Electronic). The manual does not suggest any SysEx capabilitiies to
reset/clear it. Sometimes it gets problems with SysEx transfer to/from the
connected MIDI device and will no longer pass SysEx data.
The cable/adapter will not directly react to a device inquiry "F0 7E 7F 06 01
F7"
nor does a simple dump solve it:
amidi -p XXX --dump
Is there perhaps a trick to flush or reset such adapters? I can pull the cable
from the USB port and plug it in again, yet it's at the back of the computer
underneath the desk which is cumbersome and due to many USB devices being
connected through HUBs there is no other place to plug it in.
Best wishes and thanks for any hints,
Jeanette
--
* Website: http://juliencoder.de - for summer is a state of sound
* Youtube: https://www.youtube.com/channel/UCMS4rfGrTwz8W7jhC1Jnv7g
* Audiobombs: https://www.audiobombs.com/users/jeanette_c
* GitHub: https://github.com/jeanette-c
You should never try to change me
I can be nobody else
And I like the way I am <3
(Britney Spears)
On Sun, 29 Jan 2023 16:13:36 +0100 (CET)
"Jeanette C." <julien(a)mail.upb.de> wrote:
>Hey hey,
>I'd like to share my latest piece:
>https://youtu.be/q-MrtHBBUa8
>OGG version:
>https://www.dropbox.com/s/q7hkmffdpt9c7tp/i_lean_to_you.ogg
>This is a big band, somewhat jazzy ballad, with a somewhat energetic middle
>section. Otherwise it is very late night compatible.
>
>This was the first time I tried my hadn at a proper big band arrangement.
>Well, I only had a brass sextet of two trumpets, two French horns, one
>trombone and one tuba. Add piano, electric bass and (mostly) sparse drums.
>
>Instruments used: DrumGizmo and LinuxSampler. The brass and piano are
>commercial libraries, both by Sampletekk (BOB Orchestral Brass and Yamaha 7CG
>piano), the bass is a free Rickenbecker SFZ, I think it is part of the No
>Budge Band (NBB) collection.
>
>I hope you enjoy and can relax with it!
>
>Best wishes,
>
>Jeanette
>
A wasn't keen on this at first, but about half-way through it really woke up.
--
Will J Godfrey {apparently now an 'elderly'}
https://willgodfrey.bandcamp.com/http://yoshimi.github.io
Say you have a poem and I have a tune.
Exchange them and we can both have a poem, a tune, and a song.
IEM Music Residency Programs 2023 - Call for Applications
University of Music and Performing Arts Graz (KUG)
https://iem.at/
(please distribute)
The IEM – Institute of Electronic Music and Acoustics – in Graz, Austria
is happy to announce its calls for its 2023 residency program.
You can apply for two different residencies: the Artistic Residency (1)
and the Artistic Research Residency (2).
(1) Artistic Residency
The residency is aimed at individuals wishing to pursue projects in
performance, composition, installation, sound art, development of tools
for art production, and related areas. Individuals are asked to submit a
project proposal that is related to the following research fields of the
IEM:
* Algorithmic Composition
* Algorithmic Experimentation
* Audio-Visuality
* Dynamical Systems
* Experimental Game Design
* Live Coding
* Sonic Interaction Design
* Spatialization/higher-order Ambisonics
* Standard and non-standard Sound Synthesis
Duration of residency: 3 months
Start date: June 1st 2023 (negotiable)
APPLICATION DEADLINE: February 28th 2023
Please reply to the official call by KUG for a University Assistantship
(in German and English):
<https://www.kug.ac.at/fileadmin/01_Kunstuniversitaet_Graz/05_News/Mitteilun…>
(2) Artistic Research Residency
The residency is aimed at individuals wishing to pursue an artistic
research project in close collaboration with an IEM staff member and
related to the research fields of the IEM (see list above under (1)).
Duration of residency: 3 months
Start date: September 1st 2023 (negotiable)
APPLICATION DEADLINE: April 30th 2023
Please reply to the official call by KUG for a University Assistantship
(in German and English):
<https://www.kug.ac.at/fileadmin/01_Kunstuniversitaet_Graz/05_News/Mitteilun…>
The Institute:
The Institute of Electronic Music and Acoustics is a department of the
University of Music and Performing Arts Graz founded in 1965. It is a
leading institution in its field, with more than 35 staff members of
researchers and artists. IEM offers education to students in composition
and computer music, sound engineering, sound design, contemporary music
performance, and musicology. It is well connected to the University of
Technology, the University of Graz as well as to the University of
Applied Sciences Joanneum through three joint study programs.
The project results will be released through the Institute's own Open
CUBE and Signale concert series, as well as through various
collaborations with international artists and institutions.
What we expect from applicants:
- A project proposal that adds new perspectives to the Institute's
activities and resonates well with the interests of IEM.
- Willingness to work on-site in Graz for the most part of the Residency.
- Willingness to exchange and share ideas, knowledge and results with
IEM staff members and students, and engage in scholarly discussions.
- The ability to work independently within the Institute.
- A dissemination strategy as part of the project proposal that ensures
the publication of the work, or documentation thereof, in a suitable
format. This could be achieved for example through the release of media,
journal or conference publication, a project website, or other means
that help to preserve the knowledge gained through the Residency and
make it available to the public.
- A public presentation as e.g. a concert or installation, which
presents the results of the Residency.
What we offer:
- 24/7 access to the facilities of the IEM.
- Exchange with competent and experienced staff members.
- A desk in a shared office space for the entire period and access to
studios including the CUBE [1], according to availability.
- Extensive access to the studios of the IEM during the period from July
1st until end of September.
- access to the IKOsahedron loudspeaker [2]
- access to the “Autoklavierspieler” [3]
- infrared motion tracking systems
- Regular possibilities for contact and exchange with peers from similar
or other disciplines.
- Concert and presentation facilities (CUBE 30 channel loudspeaker
concert space).
What we cannot offer to the successful applicant:
- We can not provide any housing.
- We also cannot provide continuous assistance and support, although the
staff is generally willing to help where possible.
- We can not host artist duos or groups, because of spatial limitations.
- We can not offer any additional financial support for travel or
material expenses.
Feel free to contact residency(a)iem.at if you have any questions.
[1] The Cube has a 30-channel loudspeaker system
[2] https://iko.sonible.com/
[3] https://algo.mur.at/projects/autoklavierspieler
Hello,
Seeing the benefits of MIDI-OX with Windows, I looked for an
alternative that will run on Linux. I was able to get the Kmidimon
installed on my Ubuntu Studio 18.04, which I use for business admin
activities. (This I did as a test). Going to the production machine,
Ubuntu Studio 20.04, I found that apparently, this app cannot be
installed there.
I have searched for other app to use, and not found anything
useful. I have copied the error messages from the install attempt as a
reference. Comment is invited.
-- Install attempt results:
sudo apt-get install kmidimon
Reading package lists... Done
Building dependency tree
Reading state information... Done
Package kmidimon is not available, but is referred to by another package.
This may mean that the package is missing, has been obsoleted, or
is only available from another source
E: Package 'kmidimon' has no installation candidate
------------------------------------------------------------------------------
(System info via 'uname-a'):
uname -a
Linux M78-Ubuntu-Studio 5.15.0-58-lowlatency #64~20.04.1-Ubuntu SMP
PREEMPT Fri Jan 6 18:45:25 UTC 2023 x86_64 x86_64 x86_64 GNU/Linux
Brian
Hi, I just read about a possibly outdated advice to increase the nice
value of Xorg (currently 19 on my Debian stable system) to avoid audio
dropouts when switching desktops etc. Can anyone comment on the
usefulness or experiences with changing it (where would one change it?)?
Thanks in advance! Peter
... but apparently not.
This is very much a reflection of the times.
https://soundcloud.com/soft-sounds/world-of-sorrow
It's all Yoshimi. The main lead sound is 'Angel Harp' from my 'Companion' bank.
The very long tail is not some form of reverb, but a SubSynth sound with a
slow attack and a *very* slow release time behind the AddSynth one. The whole
sound is wrapped up with some echo and reverb.
--
Will J Godfrey {apparently now an 'elderly'}
https://willgodfrey.bandcamp.com/http://yoshimi.github.io
Say you have a poem and I have a tune.
Exchange them and we can both have a poem, a tune, and a song.
I'm proud to announce the release of GxPlugins.lv2 v1.0
GxPlugins is a extra set of effect processing LV2 plugins from the
Guitarix project.
Project page with more information is here:
https://github.com/brummer10/GxPlugins.lv2
New in this release:
Support for Windows (64bit). Implemented by Thorsten Maerz.
Release page is here:
https://github.com/brummer10/GxPlugins.lv2/releases/tag/v1.0
we provide the source tar ball, a debian/ubuntu package and a win64
binary package.
We hope the plugs will be useful,
hermann
Hey hey,
in this song I have tried a few different things. But first the links:
You Shape My Heart (single version / song only):
https://youtu.be/2cf8ZiFucIM
OGG version:
https://www.dropbox.com/s/m8375gn56ky8hdj/you_shape_my_heart.ogg
Stage version (with introductory scene):
https://youtu.be/TYQ78tHhjRM
This song, with good reason, cites the Theme for Cariad:
https://youtu.be/niUZMYIfWEI
(3:16 in the single and 5:58 in the stage version).
This song is inspired by parts of Tim Minchin's musical version of Matilda. So
it brings more drama to the table, a little more fun (I think).
The instruments featured: LinuxSampler, with a commercial piano, the VPO
(Virtual Player Orchestra), a bass from the No Budget Band (NBB) collection,
and commercial brass sounds.
setBfree for the gorgeous organ sound and DrumGizmo for the drums, ussing the
Aasmonster2 kit, with yet again different processing).
The lyrics are below, in this case they might actually help, since the song
tries to tell a story.
Best wishes,
Jeanette
*** Lyrics ***
When you first called again,
After the intervening years,
You made me sit up...
I'm all ears.
We weren't the girls we'd been.
You are a goddess to my heart.
I'd pray to you from afar:
Much too far apart.
-
Now, there was my heart alight,
Singing all my love to you,
But I couldn't tell you straight
That I love you.
[chorus]
I care for you!
(She's into you as she can be.)
You shape my heart.
You said it too.
(And you are hers, we see.)
I just want to sing...
Sing my love to you.
I was consoled with admiring you from afar;
(One eye laughing, one eye crying.)
I'd made peace with the world,
But then the world stood on its head.
You gave me a chance to declare myself.
"I suppose it's obvious," I said
"I am in love with you."
And you said: "I am too."
-
Our love pours in waterfalls
Down to our hearts 'til they overflow.
Then we will burst in bliss.
And touch and kiss!
Touch and Kiss!
[chorus]
I care for you!
(She's into you as she can be.)
You shape my heart.
You said it too.
(And you are hers, we see.)
I just want to sing...
Sing my love to you.
--
* Website: http://juliencoder.de - for summer is a state of sound
* Youtube: https://www.youtube.com/channel/UCMS4rfGrTwz8W7jhC1Jnv7g
* Audiobombs: https://www.audiobombs.com/users/jeanette_c
* GitHub: https://github.com/jeanette-c
... And that I know you're out there and I know that you still care <3
(Britney Spears)