A little piece I composed today and recorded using Rezound (very nice
audio file editor!):
--a rough version, because this piece is new to my fingers--
http://www.xscd.com/pub/music/ogg/abstraction-1_for_piano.ogg
-sd
--
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Live life from the inside out, not the outside in.
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Greetings:
I've added a Musings section, corrected some URLs, and added one or
two new items. You know the drill:
http://linux-sound.org (USA)
http://linuxsound.jp (Japan)
http://linuxsound.atnet.at (Europe)
Alas, the European site is giving me fits again and is not yet
updated. The Japanese site will auto-update this evening.
Btw, my thanks to the many people who sent kindly messages regarding
these pages. I'm glad that the sites are a useful resource, despite
their ancient format and lack of amenities, and since no-one else has
arrived with a replacement I'll keep aperiodically updating them. I hope
you all continue to find them useful and enjoyable.
Best regards,
Dave Phillips
Hi everyone,
Can anyone give me any examples of Free audio software being used by
professionals?
Anywhere where it performs better, or simply doesn't cost two or more
body parts to use?
Quick answers get bonus points.
James
--
"I'd crawl over an acre of 'Visual This++' and 'Integrated Development
That' to get to gcc, Emacs, and gdb. Thank you."
(By Vance Petree, Virginia Power)
Hello,
After experiencing linux for live mixing (I will perform an internet live
session on radio404.org after the summer holidays), I turn my face to
composition tools and my needs are well satisfied by a software like
BEAST. But I can't find any way to use it with Jack :(
any hints ?
Regards
Philippe
O
> Date: Fri, 15 Jul 2005 07:13:10 -0600
> From: Steve D <groups(a)xscd.com>
> Subject: Re: [linux-audio-user] Re: Music --
> To: Arnold Krille <arnold.krille(a)gmail.com>, A list for linux audio
> users <linux-audio-user(a)music.columbia.edu>
> Message-ID: <20050715131310.GB4406(a)xscd.com>
> Content-Type: text/plain; charset=us-ascii
>
<snip>
>
> I found two patches in ZynAddSubFX that sounded great layered, the
> "Soft
> Arpeggio3" and the "Ice Rhodes2," but every time I recorded the piece
> routing the audio output of ZynAddSubFX through Jack to Rezound, I
> would
> receive just one or two brief overruns. These became frustrating, so I
> instead reluctantly resorted to using one of the sounds from one of my
> external MIDI tone generators, the SRX-02 "Concert Piano" expansion
> boand in my Roland FantomXR, routing the audio into the computer via
> an
> M-Audio Delta 1010 sound card.
>
> However, I must say that I was very impressed with the sounds that
> ZynAddSubFX produces and I hope to do more study and resolve Jack's
> overrun issue because I would very much like to record using "soft
> synths" such as ZynAddSubFX.
Did you get glitches on the recording as well as audible ones while
performing?
The reason I'm asking is that I play with zyn with a very low latency,
and get occasional xruns, but when I play the recording back in Ardour,
the glitches seem to have vanished.
I'm not sure why this is, perhaps it's different recording into Ardour
rather than Rezound.
>From: "Greg Wilder" <greg(a)gregwilder.com>
>
>I'd be very interested in reading the research papers.
Good to hear more people are interested in the matter.
It looks like the legal way to have the Mellotron samples
is to re-create the sounds. Remember that the particular tapes
were re-mastered. The copyright is as new as the re-masters.
(But Project Gutenberg list had a posting on a recent court
case which could indicate different.)
BTW, we already could create a nice set of similar sounds using
physical modeling and the like. Nord Modular has good patches
freely available.
How important it is to have the original Mellotron sounds? Mellotron
is well known from songs like White Satin (by who?) but the guy
recorded his own violin sounds. Why would we be happy with the
factory sounds if he was not?
I will put together a collection of papers after the summer heat
has cooled down.
Juhana
--
http://music.columbia.edu/mailman/listinfo/linux-graphics-dev
for developers of open source graphics software
Hi
I'm looking for an alsa client the will allow me to setup two or more
zones on my usb keyboards and route them to different soft synths. Is
should be scriptable or at least command-line driven...
--
Peace, love & harmony
Atte
http://www.atte.dk
I wasn't sure which list to send this to, since several applications are
involved so this one seemed the most appropriate...
I am recording drums from Hydrogen into Ardour, using the multitrack
output of Hydrogen to record from, via jack (I had posted a couple days
earlier about a jack problem I was having in this scenario).
I am now having problems with the instruments in Hydrogen severely
clipping in Ardour... the meters are going way into the red, sometimes
showing a level of 13+. This occurs no matter what I do -- lowering the
individual levels in Hydrogen, changing instrument gain, using a
limiter, controlling the audio from envy24control, but nothing seems to
affect this. It seems mostly to be the kick drum, but the toms are
doing it was well (using UltraAcousticKit).
Now, if instead I record from the master out from Hydrogen, this problem
doesn't occur, the levels are reasonable and there is no clipping. But
this isn't going to work because I want to the individual drums in their
own tracks!
Is there some other obscure way of controlling this clipping?
I am using the very latest from CVS for everything (jack, Hydrogen and
Ardour, all built new just today).
--
Programmer by Day, Guitarist by Night
http://www.chapelperilous.nethttp://www.alhazred.comhttp://www.revelmoon.com
